Monthly Archives: November 2018

Directing Midlands Today 1990

Photograph from Rosin Elder, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

Female production team in the gallery of Midlands Today in 1990 at Pebble Mill. Left to right: Christine Palmer, vision mixer; Rosin Elder, director; Fiona Barton, PA; Maureen Carter Producer.

The following comments were posted on the Pebble Mill Facebook page:

Richard Uridge: ‘They all look very worried. I was probably presenting that night!’

Jonathon Dick: ‘The VM is Christine Palmer, who went on in later years to become a senior production executive with the BBC OU Production Unit. The Sound Sup is Peter Poole, who was a regular on MTD.’

David Croxson: ‘What a fantastic front desk. There was a right to do and a hoo-hah recently on a friends Facebook when it was shared as a triumph that the whole of a regional news programmes’ production team turned out to be female. Someone else complained that they wouldn’t have shared a similar photo if it was all men.

Perhaps Midlands Today was years ahead of its time!!’

Stephen Neal: ‘Roisin and I worked together at Look East when we were both Regional Station Assistants (aka the best first job in regional TV)! The chap at the back is the sound sup for the show by the look of it.’

Goodbye to Pebble Mill

Copyright resides with the original holder, no reproduction without permission.

Goodbye Pebble Mill was transmitted on BBC1 in 2004, as a tribute to production at Pebble Mill, as the building closed prior to demolition. It is introduced by Toyah Wilcox and features highlights from Pebble Mill programmes and interviews with many stars.

Memories of Broad Street

Photo by Martin Fenton, no reproduction without permission. These audio tapes are from Radio Studio 3 at Pebble Mill.

 

 

 

 

 

 

 

 

 

 

 

When I joined the BBC in Broad street as a Studio Manager in 1963 after about 3 months training in London, one of my first experiences was as Spot Effects S.M on The Archers. Tony Shryane -Producer- sat at the mixing desk, controlling the programme levels. There was a Studio Manager playing in Sound effects off 78rpm records and also from from recorded tapes- recorded originally on 5″ full track tapes @ 7.5″/sec. on an EMI Midget battery powered tape machine. These tapes were edited and compiled onto 10.5″ dia.tape reels of which at that time there were about 2 dozen. These were catalogued originally in a box file but later on fullscap sheets in a spring back folder.

Within a few months I moved on from pouring cups of ‘tea’, opening and closing doors etc to become the Gram and tape S.M. Agriculture was as ever becoming more developed and this meant more mechanisation and more recordings required. F.M radio was expanding and quality sound effects were also required to replace some of the original 78 rpm recordings.

Another S.M joined the Archers Team-Peter Belham- and between the two of us we increased the Tape library for the programme vastly ,and were recording in Stereo, looking to the future for not only The Archers but Birmingham Radio Drama output. This library of effects moved to Studio 3 at Pebble Mill, along with a Mini Archive of significant Archers episodes. Before this time Tony Shryane had asked me to take over at the Mixing Desk. Peter, was grams SM but also mixed from time to time but was also Mixing Radio Drama. We tended to swop roles back and forth as needed and I was quite often Grams S.M. when Peter was mixing a Radio Play. On Tony Shryanes retirement I felt it was time to move on from The Archers. Some years after both Peter and I had retired Mark Decker moved the effects library to the Mail Box and began the process of transferring it to C.D before his untimely death from cancer.

John Pierce

Vanity Fair – Norfolk

photos by Chris Glover, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

These photos are from the Norfolk locations for the 1987 serial of Vanity Fair. This village was used for the battle scenes.

In the first photo the battle extras and riggers are in the foreground. The guy in light clothing on the extreme left by the blue van is the armourer.

Thanks to Chris Glover for sharing the photos.