Siouxsie and the Banshees – Look! Hear!


Photos by Christopher Glover, no reproduction without permission.

Siouxsie and the Banshees being recorded in Studio A for Look! Hear! Produced by Roger Casstles. Look! Hear! was a regional music and culture show. The photos date from the mid-1980s.

The following comments were added on the Pebble Mill Facebook page:

Phil Dolling: This brings back memories I was a very junior sound assistant on the floor, I recall the drummer ‘Budgie’ had his fold-back set to terrifying levels with all the high frequencies wound up. It was like razor blades coming out of the speakers. A brilliant series, it caught a great moment in Midland’s music.

Annette Martin: I mixed it she was v good. Just spotted the lovely Ron Sowton Floor Manager in 2nd pic.

Richard Stevenson: It is pre-1987 when I joined as the new cameras were in by then. Probably the Heron crane – one man to drive it and the camera op had a pedal for up and down plus a second pedal to rotate the seat. If you got them mixed up it got very messy!

Last episode of Pebble Mill at One

Photo by Simon Harris, no reproduction without permission

Photo by Simon Harris, no reproduction without permission

Photo by Simon Harris, no reproduction without permission

Photo by Simon Harris, no reproduction without permission

Photograph by Simon Harris, no reproduction without permission

 

Thanks to Simon Harris for sharing these photographs. They date from May 1986, and were taken on the last ever episode of Pebble Mill at One. The photos show the Royal Navy Sea King approaching Pebble Mill with the roof of the network radio studios in the foreground. Anne Barker, a Radio WM news producer is seen on the roof using a lip mic to give a live commentary. WM producer Conal O’Donnell, pint in hand, poses next to the Sea King. He and fellow producer Robin Brittan are pictured outside the club watching the Lynx take off.

 

 

Dome on the roof of Pebble Mill

Photo by Bhasker Solanki, no reproduction without permission

 

 

 

 

 

 

 

 

This dome appeared on the roof of the Pebble Mill office block circa 1980.

The following comments about were posted on the Pebble Mill Facebook page:

Annie Gumbley Williams: The dome was built to be used for recordings, interviews etc. Remember doing one there with Robin Cousins in Roy Ronnie & Roy Norton days. Roy Ronnie used it for meetings sometimes to get out of the office. It made a lot of noise when it rained so not good for recording!

Malcolm Hickman: It also acted like a greenhouse and anything left in there suffered with the condensation.

Andy Shepherd:The dome was bought second-hand from Granada who had used it in the summer of 1979 for their Saturday morning children’s show The Mersey Pirate. The show was based aboard the ferry MV Royal Iris moored at Liverpool Docks. The dome structure was built on the promenade deck of the vessel. The run of the series was cut short by the ITV strike which started in August.

Here are a couple more photos of the dome being installed in 1981. They are from Stuart Gandy.

Photo by Stuart Gandy, no reproduction without permission

Dome being hoisted on to the roof. Photo by Stuart Gandy, no reproduction without permission

 

Brian Parker

Brian Parker on his 90th birthday. Copyright resides with the original holder, no reproduction without permission

This blog is written by academic Lez Cooke about director Brian Parker, who worked on a number of significant Pebble Mill dramas. It was published on the Forgotten Drama website: https://forgottentelevisiondrama.wordpress.com/2021/01/03/brian-parker-1929-2020/
“Brian Parker, who died on 8 December 2020, had a long and eclectic career in television, initially as an actor, first appearing as a seventeen year-old in a live production of Dickens’ Bardell Against Pickwick (BBC 1946), where he played Master Bardell, and then as director of a wide variety of television drama, including popular series such as the BBC’s Softly Softly (from 1966-71) and The Troubleshooters (1966-68), YorkshireTelevision’s Hadleigh (1969-71), Granada Television’s Crown Court (1973-77) and Thames Television’s The Bill (1988-2001). Alongside these assignments he directed single plays for series such as The Wednesday Play and Play for Today, including Auto Stop (BBC 1965) with David Hemmings, Julia Jones’ A Designing Woman (BBC 1965), Peter Terson’s Shakespeare – or Bust (BBC 1973), Alan Plater’s Land of Green Ginger (BBC 1973) and James Duthie’s Donal and Sally (BBC 1978), for which Parker won the award for Best Direction at the 1979 Prague International Television Festival. Donal and Sally was about the relationship between two young people with learning difficulties, a subject Parker had previously explored in Steven (BBC 1974), a play he devised and directed for a short series produced by Tony Garnett.
In the 1960s-70s Parker had a particularly productive working relationship with David Rose, appearing as an actor in episodes of Scotland Yard (BBC 1960) and Z Cars (BBC 1964), both produced by Rose, then as director on 18 episodes of Softly Softly, for which Rose produced the first two series, and on four episodes of Alan Plater’s The First Lady (BBC 1968) which Rose also produced. In the 1970s Parker was reunited with Rose when the latter became Head of BBC English Regions Drama in Birmingham, directing four Plays for Today produced by Rose: Shakespeare – or Bust, Land of Green Ginger, David Halliwell’s Steps Back (1973) and Barry Collins’ The Lonely Man’s Lover (1974), plus four half-hour plays: Jack Rosenthal’s Thirty Minute Theatre play, And For My Next Trick (BBC 1972) and three Second City Firsts.
I first met Brian Parker at a Kaleidoscope event in 2014 where David Rose was introducing Medico (BBC 1959), a recently discovered drama-documentary which Rose directed. Parker described Rose as his ‘mentor’, underlining the important influence Rose had on his career. After the event he emailed me:
I really enjoyed the event last weekend and made amazing discoveries! My acting and directing mentor is still brilliantly defying Parkinson, one of my early shows is in the Library of Congress (after it was transmitted the writer took me to lunch, we ordered, and he said “what went wrong?”) and people are actually looking at stuff made long before home-recording was possible.
Sadly, the next occasion we met was at the memorial service for David Rose in 2017.
In July 2020 I contacted Brian Parker to see what he remembered about Steps Back, the David Halliwell Play for Today about which I was writing a piece as part of the 50th anniversary celebrations of Play for Today. Parker replied immediately, providing much useful information about the production of the play and it sparked an exchange of emails about his television work which continued until shortly before his death.”
Lez Cooke