Copyright resides with the original holder, no reproduction without permission.
Thanks to Bill Jenkin for making the video available.
This video is amateur footage from a visit to the BBC Studios at Gosta Green in the mid sixties.
Pete Simpkin added the following information on the Pebble Mill Facebook Group:
“Wonderful to see the old Grams and the Pye Monitors………even the rewinding bench near the TK. What memories. After the TV moved out Radio Birmingham sometimes used the studio for audience attended Classical Music broadcasts. Classical music on Local Radio…now that IS going back some distance!!”
In 1977 Kenny Ball and his band were the house band for the entertainment show from Pebble Mill, ‘Saturday Night at the Mill’. The show was a spin off from ‘Pebble Mill at One’. Here is the title track of the band’s 1977 album, which was also the show’s title music.
Thanks to David Ackrill for sharing the link.
Photo of Donny MacLeod and the Kenny Ball band by John Burkill, no reproduction without permission.
The following comments were added on the Pebble Mill Facebook Group:
David Crozier: ‘I was the designer on a number of these shows. I remember them as being huge fun and with a very real sense of being live. It was working on Sarurday Night at The Mill which gave me the first yearnings for becoming a live programme, multi-camera TV director, which I later became. Great times!
Stuart Gandy: ‘It certainly was a fun programme to work on and like so many programmes we did, put Birmingham on the broadcasting map, something it sadly no longer seems to be.’
Julian Hitchcock: ‘I was Floor Assistant / AFM on any number if these and recall it all vividly. As David says, “great fun”.’
Kevin Lakin: ‘I remember Bruce Forsyth taking a very dim view of trays of beer being bought down from the bar on the 2nd floor during rehearsals . . . . pillock’
Janice Rider: ‘I earned the nickname Strobe Rider from Rob Hinds after the Hollywood movie star Joseph Cotten threatened to walk off the programme if he couldn’t wear his very inappropriate black & white dogtooth jacket which flared dreadfully during his interview !’
Julian Hitchcock: ‘Now this is interesting. I remember going on the studio directors’ course and wanting, in my final project piece, to show a scene in a cinema (it was an adaptation if Graham Greene’s short story, “A Place off the Edgware Road”. Cinemas are, of course, dark. However, the technical manager was adamant that if the scene was dark, no one would be able to see anything,- as if this could not possibly have been intended. I pathetically agreed, with the consequence that the cinema was entirely visible. On this basis, what would be wrong with a person appearing with a “strobing” jacket? When, having left TV, I found myself having to be interviewed in the foyer, I deliberately put on a check jacket because I wanted to strobe…’
Jane Mclean: ‘I did autocue. Maggie Walne (Kidger) was PA. Yes, a beautifully alcoholic programme to work on. And afterwards we always went to The Strathallan on Hagley Rd to wind down. Remember Roy Norton directing the early morning traffic! He directed with Roy Ronnie (I think I’m right).’
Julian Hitchcock: ‘I can never remember Roy Ronnie directing, but it’s possible. They were each great fun in different ways. Norton was wonderfully nervy. I well recall him ordering us ( the floor crew) to “make them laugh”. And thereon hangs another tail.’
Kevin Lakin: ‘Does anyone remember the ” The James Last Orchestra ” fiasco . . . the 50 piece Orchestra were going to be performing in the courtyard, then at 7 o clock we were told they would coming into the foyer, at 7.30 the whole Orchestra went back outside, and that’s when the two Roys went and hid on the 5th floor.’
Julian Hitchcock: ‘I do! Better with hindsight than at the time. I was the guy who had to tell Herr Last. I think this was one if the things that lead to the building of the quadrangle roof.’
Carol Churchill: ‘Oh l loved working on it , l remember making Kate Bush up on her first TV appearance .’
Tim Dann: ‘I did twelve of these beauties!!…& it certainly was off to the Srathallan afterwards!!…tho I don’t remember ‘winding down!!!’…The milkman beat me home every time!!!!…After the ‘credits’ Roy Norton the director, who was always in a state of high excitement…used to leap to his feet sending his chair crashing into the gallery window & screamed “Take me Pres, take me Pres!!!”….I can only imagine ‘Presentations’ enjoyment & envy of what fun we, in the Midlands were having!!…Designed the ‘Kate Bush’ prog too…which morphed into ‘Dave Brubeck’ & then we took the set to Glasgow for an ‘Andy Williams Special.’…. Thwarted tho by Production A’s/managers/managers industrial action!!…Roy Ronnie produced & Roy Norton directed them all.’
Kevin Lakin: ‘Andy Williams was cursed then, I worked on an Andy Williams Special from Warwick University which was thwarted by the Musicians Union, all the orchestra walked out 2hrs before the show started, and fair play to Andy Williams he did the whole show to just a piano accompaniment, it was recorded, but never went out. I think the two Roys were behind it, Mary Spencer was the Designer.’
Specially recorded interview with writer David Rudkin talking about how the drama ‘Artemis 81’ came about. ‘Artemis 81’ was transmitted in 1981, when producer David Rose still headed up the English Regions Drama Department. The drama was a three hour epic about the battle of good and evil, starring Hywell Bennett and Sting. Alastair Reid was the director, Dawn Robertson the associate producer, Jenny Brewer the PA, Roger Gregory the script editor, Ian Churchill the camera operator, Bob Jacobs and William Hartley were the production managers, and Mick Murphy was the AFM.
Specially shot video with writer David Rudkin, talking about the editing of the 1974 Play for Today, ‘Penda’s Fen’. David Rudkin was lucky enough to spend some time with the editor, Henry Fowler, which was unusual for a writer even back in the 1970s.
