These photos from Radio WM engineer, Rod Fawcett, are of the Birmingham Superprix race circuit from 1986-7. Bristol Street Motors provided the garaging area.
Radio WM were given access to the race, and broadcasted from the circuit.
These photos from Radio WM engineer, Rod Fawcett, are of the Birmingham Superprix race circuit from 1986-7. Bristol Street Motors provided the garaging area.
Radio WM were given access to the race, and broadcasted from the circuit.
Included in the photo are (left to right): Stuart Miller chief engineer at Radio WM sitting down laughing, ?, Mike Ronson(?), Rob Hawthorne with the Uher, Annie Barker in yellow jacket.
Thanks to Rod Fawcett for sharing this photo of the Radio WM sports team at the first Birmingham Superprix in 1986.
(The Superprix was a street based motorsport event in Birmingham. The highlight was the Formula 3000 race.)
The following comments were left on the Pebble Mill Facebook page:
Rod Fawcett: ‘I remember the gig quite well. We were set up in a Portakabin right next to the start / finish line on Bristol Street. The motor racing noise within the cabin was astonishing as it resonated the walls, ceiling, everything!! We kept going of course. The young reporter with the Uher tape recorder is Rob Hawthorne – now an established football commentator with Sky Sports.’
Gordon Astley: ‘ was taken out for a skidpan type ride with the Italian Job Mini team. I felt nauseous for the rest of the day.’
Tim Beech: ‘I remember the last Superprix was in 1990, a year after I joined the WM sports team. Rob had just left, but Ian was Sports Editor and Annie had started with Central. Great pic – great memories!’
Marilyn Ward: ‘Central had the broadcasting commission.’
Rod Fawcett: ‘Hi Marilyn and thanks go to Central TV as you were kind to give us a courtesy monitor race feed to use for commentary purposes.’
Keith Conlon: ‘I think the guy in the background was a sports reporter and I think his name was Mike Ronson i think but his surname may be wrong.’
At the beginning of the 60s the BBC mounted what I believe was first experiment of local radio in Reading. It was a three week caper, recorded but not broadcast. The station manager was Bill Coysh, Senior Talks Producer, Bristol and founder of “Any Questions.” The news editor was the dour Jack Johnson from Birmingham. I was a journalist working on the weekly Reading Standard. I’d always dreamt of working for the BBC. I did earn a few extra bob by filing copy to the South East news desk. I went to do a story about the experiment and made such a nuisance of myself that Jack gave me a small job doing a review of a local AmDram performance just to shut me up. A few days later Bill rang me to say that they’d under estimated the staffing level for the experiment and could I join them. The newspaper’s Chairman, a kindly man call John Pole, sent me on my way with his blessing. In due time, having failed to get any of the contacts I’d made interested in giving me a break in, Bill Coysh invited me to Bristol for an audition. David Dimbleby had left to go back to London and – heaven knows how – got his slot on contract. My book “A Series of little BBC Adventures” tells quite a bit of the tale. You can read the first chapter FREE on Amazon Kindle: https://www.amazon.co.uk/Little-BBC-Adventures-David-Shute-ebook/dp/B007C4SWY8
Thanks to Sarah Aston for sharing this photo of the Midland Radio Orchestra. Sarah’s father, John Kingdon formed the Midland Light orchestra along with Norrie Paramor, which pre-dated the Midlands Radio Orchestra. The MLO was more classically orientated.
Harold Rich is at the keyboard in this photo, with Norrie Paramor conducting.
A busy Children in Need night in the corridor outside Studio A. This photo probably dates from the 1980s.
Thanks to Radio WM engineer Rod Fawcett, for sharing the photo.
The following comments were left on the Pebble Mill Facebook page:
Stuart Gandy: ‘Those were the days when CIN was a big event inside and outside the Mill.’
Andy Marriott: ‘It’s a shame, all the regions would get a decent chunk of airtime and places like Pebble Mill and Oxford Road used to make the most of it. It seems very London-centric now.’
Gyn Freeman: ‘Standing behind this red haired beauty is the timid, yet well dressed beauty Steve Woodhall. This is an audience I think off into the studio, but who is on the ladder at the back trying to maintain order? No doubt about it, the good old days!’
Rod Fawcett: ‘On the far left it’s Jenny Wilkes as Robin Hood.’