Transmission lists – Page 2 – What Was Pebble Mill?

Vote for Them in Egypt

These publicity photos were almost certainly taken by Willoughby Gullachsen on location in Egpyt. They are from the 1989 three part drama series, Vote for Them, written by David Edgar and Neil Grant. The series was produced by Carol Parks.

Thanks to costume designer, Janice Rider, for sharing the photos.

Below is the synopsis from the Radio Times entry of the series from the BBC Genome project http://genome.ch.bbc.co.uk/3bc1b6954a074ae7af03e2e03cf40739:
‘First of three episodes.
Egypt. 1943: Rommel has been kicked out of Africa and the fighting has moved on to Italy. The Allied troops still based in Cairo have time to think about what sort of world they want when the war is over.
Script editor ESTELLE DANIEL Designer NIGEL JONES Executive producer MICHAEL WEARING
Producer CAROL PARKS
Director JAMES ORMEROD BBC Pebble Mill’

Vote for Them – Army photos

These publicity photographs were almost certainly taken by Willoughby Gullachsen, who was employed on many Pebble Mill dramas to take stills used for press and publicity.

The photographs show the army top brass in the three part 1989 drama, Vote for Them, written by David Edgar and Neil Grant.

Thanks to costume designer Janice Rider for sharing the photos.

The following comment was left on the Facebook page:

Neil Grant: ‘The officers in the foreground are Colonel Raymond Pugh, left, played by John Rowe, and the Brigadier, played by the late James Grout.’

Vote for Them – aircraft shots

These publicity photos were almost certainly taken by Willoughby Gullachsen, and were used to publicise the three part drama serial: Vote for Them, written by David Edgar and Neil Grant. The show was transmitted in June 1989. Carol Parks was the producer, Michael Wearing the executive producer, and James Ormerod was the director.

This link to the BBC Genome project gives more information about the drama from the original Radio Times: http://genome.ch.bbc.co.uk/3bc1b6954a074ae7af03e2e03cf40739.

Thanks to costume designer, Janice Rider, for sharing the photos.

The following comments were left on the Pebble Mill Facebook page:

Neil Grant: ‘The aircraft is a Supermarine Spitfire, though not one of the earliest Marks as it has a four bladed propeller. Simon Adams is on the left – he played Aircraftsman “Nobby” Clarke – together with, I think, Peter Llewellyn Williams, who played Aircraftsman Bill Beatty.’

Diane Lester: ‘An early example of a supermarine spitfire. ..we filmed these scenes at an airfield just north of Salisbury, and had a hurricane and other planes there, including an American one. All the planes flew in, and on the last day we filmed with them,the spitfire and hurricane took off and did a victory roll over the airfield ….very spectacular.’

Mary Sanchez: ‘This was my first drama I worked on as a floor assistant (runner) . Having to identify about 100 extras and main characters all in uniform was quite a tall order! A really lovely bunch though.’

Gary Hudson: ‘I’m guessing a Mk IX Spitfire, but experts will know. In 1989 hardly any of the Battle of Britain-era ones were still flying, and I’m assuming this one is authentic (not a replica) and was airworthy, or else how did it get there? Mary, Diana? There were only a couple of Hurricanes flying then, I believe, but again someone will know.’

Artemis 81

Jenny Brewer on Artemis 81 from pebblemill on Vimeo.

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

In this specially recorded video, Jenny Brewer, who worked as a production assistant in the 1970s and early 1980s, talks about some of the challenges of making the three hour, epic drama, by David Rudkin: Artemis 81.

The film was transmitted on 29th December 1981. The BBC genome project (digitised historic Radio Times entries), provides the following information about Rudkin’s drama:

A film by DAVID RUDKIN with Hywel Bennett
Dinah Stabb , Dan O’Herlihy featuring Sting and Anthony Steel, Margaret Whiting Roland Curram , Ingrid Pitt
A Danish museum case shattered, the pieces of a pagan statue hidden in cars on a North Sea ferry, the subsequent deaths of ferry passengers, an old musician terrified that a curse upon him will cause the devastation of the Earth.
Gideon Harlax, a successful young novelist of ‘ the paranormal and unexplained ‘, thinks he has found the material for a new book. But as Gideon coldly exploits human tragedies, angry powers from Man’s ancient past are gathering. Alien Planet Danish ferry Oxford library
Original music by DAVE GREENSLADE Passacaglia by GORDON CROSSE
Film cameraman DAVID JACKSON Film editor MIKE HALL Designer GAVIN DAVIES
Script editor ROGER GREGORY Producer DAVID ROSE
Director ALASTAIR REID

http://genome.ch.bbc.co.uk/e4712cf3ce794d8d9c47c637bf8dbadd

The following comment was left on the Pebble Mill Facebook page:

Stuart Gandy: ‘I remember working on this in the dubbing theatre. Dave Baumber did a wonderful mix. It needed a lot of post-sync recording. A very interesting film, would love to see it again. I don’t think it was ever repeated.’

Kinsey – rubber numbers

This sheet shows the ‘rubber numbers’ for some of the 16mm film rushes for the 1991, Pebble Mill six part drama series, Kinsey. The ‘rubber numbers’ were added to the transferred sound, so that it could be synched up with the frames of film. This log shows how the ‘rubber numbers’ corresponded with the ‘key numbers’ on the film itself. Also included are the slate number, the episode and the scene, and a description of the shot.

Thanks to film editor of Kinsey, Oliver White, for sharing this sheet.

The following comments were left on the Pebble Mill Facebook page:

Adam Trotman: ‘Omg my bad hand writing. Seems I was very lazy with my shot descriptions. Bob Mitchell used to do the rubber numbering. The rubber numbers where added to both the film rushes and the sound after we had synched it up with the clapper boards….. The key numbers were noted down as a double check if we ever need to get new rushes printed for what ever reason. And finally I see a take 11. …. never seem to go beyond 4 these days….’

Dawn Trotman: ‘Is it your writing Adam? Great times at Elliot road.. and don’t forget the black spacing!’

Victoria Trow: ‘Blimey, rubber numbers – Adam, was that you? Oh Bob Mitchell…. And Oh Oliver White and Carol Parks who saved me….. I will never forget Oliver re-cutting a scene on that show that had seemed fairly routine and uninteresting. A master class, A few frames off here, a few added on there…. Memorable.’

Terry Powell: ‘I loved working on this show, looked after Lee Lawson who still to this day, and his wife Twiggy, I see.’

Pete Simpkin: ‘Could someone explain to an essentially radio bloke what on earth you are talking about??’

Adam Trotman: ‘Pete – this is a shot log used in the old film cutting rooms. It was to help assistants and editors keep tabs on what rushes they had and where they were. … rubber numbering was used to help keep the film in sync with the sound.’