Association of Directors and Producers – Michael Custance

A.D.P: Association of Directors and Producers

From when ‘Jimmie’ Cellan Jones was directing ‘Jennie, Lady Randolf Churchill’ and told me he was part of a group of directors fighting the managements to get paid for repeats and foreign sales, known as director’s residual payments, matters had progressed and A.D.P., The Association of Directors and Producers had been formed. I joined, was co-opted onto the board of ADP management and created a monthly ADP newsletter. I stayed on the board and edited the newsletter until I started to make ‘Spyship’ three years later. With its 46 location all over the UK and the North Sea and the Arctic and over a year of production there was not time to do both so I resigned from the board and editorship.

ADP had gone from strength to strength and had won the battle. Since then all directors and producers receive a percentage of their fee for all repeats and sales worldwide. ADP was was also very influential in forcing the govt. to design the future new Channel 4 TV not to make programmes but to commission programmes from Independent Producers. This changed the face of UK TV by allowing producers to create their own programmes and sell them to the TV channel. Now that method applies in whole or part to every UK TV channel.

Whilst setting up ‘The Unborn’ there was a daring homosexual play being shot in the studio called ‘Solid Geometry’ by Ian McEwan. It was creating furious complaints from the costume and make-up depts. So much so that the technical head of the studios pulled all of his staff out of the studio and paralysed the shoot. The problem, there was a pickled erect penis in a jar on the mantelpiece in the set. The producer and director came to me asking for help from the ADP. I said I would call the president immediately but was not sure if ADP could help as it was in place to fight for working conditions and not bottled penises which is a censorship or public decency issue. This proved to be the case. I think the shooting went ahead minus one glass jar.

[N.B. the shoot of ‘Solid Geometry’ was actually halted, and the production cancelle].

Opening of BBC Club

copyright resides with the original holder, no reproduction without permission

This photo is from the opening of the new BBC Birmingham Club circa 1982. The original club at Pebble Mill was on the second floor of the office block. That become programme offices when the new Club building was built across the bridge over the Bourne Brook.

The photo includes:

Phil Sidey, Phil Thickett, cameraman (back row striped shirt), Gail Everett, PA (nee Herbert, back row, to the right of Sue), Brian Johnson next to Gail, Freddie Foster right, Stuart Miller (striped shirt), Peter Skinner, Assistant Accountant (extreme right middle row) Keith Jones, Building Engineering Services Manager, Colin Spears, Sue Robinson (front pink dress), Lesley Sleigh next to Sue.

Julie Hill added the following memory on the Pebble Mill Facebook page:

“Ah such happy memories of the BBC Club! I used to take the Minutes of the Club meetings for extra money! Remember the crazy squirrel who used to attack us on the bridge? Highlights include watching harrier jump jet land on the grass and the whole building shook. And being tasked with stopping Larry Grayson drink. I failed….”

 

Sue Farley’s Retirement Party

Thanks to thanks to Sarah Tongue, Carole Howell’s daughter, for sharing this photo of, and invitation to, Sue Farley’s retirement party in 1988.

Beryl Thompson (left), Myles Lang (centre), Barbara Wrigley (right in black patterned dress), Margaret Barton (right).

Sue Farley was PA on the Farming programme, as well as in the Asian Programmes Unit and John King’s unit.