Alastair Askham – What Was Pebble Mill?

The Long, The Short and The Tall – Andy Woodhouse

As part of my training in 1979, I was attached to the technical team of a couple of productions including a drama, a BBC Schools’ production of The Long, the Short and the Tall recorded over 3 days at Pebble Mill. The producer/director was Ron Smedley. Key acting cast is listed at https://www2.bfi.org.uk/films-tv-people/4ce2b73aef97d. The episodes were subsequently transmitted as a single play. More details at IMDB https://www.imdb.com/title/tt13411812/?ref_=adv_li_tt. I can recall the lighting director was Barry Hill, the technical manger was Ron Irvine, the sound supervisor was Alastair Askham, and the vision mixer was Mark Kershaw.

The production was divided into 3 half-hour transmissions, each episode was allocated one studio day and recorded “live to tape” multiple times. Ron Smedley wanted the uninterrupted action from the stage play to be available in this TV production, enabling the actors to react better to the rapid dialogue segments. The production used a single set that occupied most of the floor area in Studio A, including a jungle setting at the rear of the hut. One shot in the programme needed a wide shot of that jungle and the entrance to the hut, but the camera shot would have included a lot of the lighting rig, so a glass shot was created to hide this unwanted area.

by Andy Woodhouse

Hut interior (right) and jungle (left). Floor at edge of hut is quite crowded with technical kit. Photo by Andy Woodhouse, no reproduction without permission

Multiple sound booms and camera cranes in use. Photo by Andy Woodhouse, no reproduction without permission.

Close positioning of the cameras and sound booms on the floor. Photo by Andy Woodhouse, no reproduction without permission.

Shows size of jungle area, and use of bounced light for the hut interior. Photo by Andy Woodhouse, no reproduction without permission.

Shows the camera at the left side, with the artist, Steve Mitchell, painting onto the glass to add the scenery extensions. The artists monitor showing the composited image is just to the left of centre. Photo by Andy Woodhouse, no reproduction without permission.

Cutout in the scene cloth, the glass in the frame, and the two artists at work. Photo by Andy Woodhouse, no reproduction without permission.

Detail of the painted glass. Photo by Andy Woodhouse, no reproduction without permission.

Lesley Weaver left the following comment on the Pebble Mill Facebook page:

Lovely to see this production pop up. I worked on it, I was assistant to the lovely Make-up Designer Carol Churchill, and I looked after actor Micheal Kitchen who I remember as being really nice.

The Archers’ sound effects – Sue Sweet

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Thanks to Sue Sweet for sharing this cutting from 1971, of her operating some sound effects for The Archers, in the BBC’s studios in Broad Street, Birmingham. Sue worked in the Sound Effects library at Broad Street, and would help out with effects when necessary.

Studio manager, Alastair Askham, sadly died in the early 1980s.

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The Franchise Affair

Thanks to Roger Guest for sharing this script front page, from the 1988, six part drama series: The Franchise Affair, by Josephine Tey. The series went out between September-Nov 1988, on BBC1.

Here is the link to the entry in the Radio Times, for episode one of The Franchise Affair, from the BBC Genome project: http://genome.ch.bbc.co.uk/bcbdbb487b894908a9120d1acd02b909

The following comments were left on the Pebble Mill Facebook page:

Dave Bushell: ‘I enjoyed working on this – a touch of film noire style and location shoots in Church Stretton and on
the Severn Valley Railway.’

Winnie O’Brien: ‘I remember it well, I did the opening title sequence and graphics. It was a wonderful project to work on.’

David Copperfield

This BBC serial of Dickens’s novel David Copperfield, was transmitted in 1986. Barry Letts was the director, with Terence Dicks the producer. Bob Chaplin was lighting director, Gavin Davies the production designer, Ann Arnold the costume designer, Maggie Thomas the make-up designer, Nigel Evans was the VT editor, and Alastair Askham the sound supervisor.

David Copperfield was played as a child by David Dexter, Nolan Hemmings, when slightly older, and as an adult by Colin Hurley. Jeremy Brudenell played Steerforth, Reggie Oliver played Mr Mell, and Simon Callow played Mr Micawber.

Thanks to the BBC Drama Village for sharing the photo.

Oliver Twist

Photo by Neil Wigley, no reproduction without permission

This publicity still is from the 12 part 1985 BBC adaptation of Charles Dickens’s Oliver Twist, which was a London production, hosted at Pebble Mill. The series was directed by Gareth Davies, and produced by Terence Dicks. Alexander Baron was the script writer, with Brian Wright the script editor. Bob Chaplin was the lighting director, Michael Edwards was the production designer, Al Barnett the costume designer and Alastair Askham the sound supervisor, with Mike Bloore the VT editor.

Ben Rodska played Oliver Twist, with Eric Porter as Fagin, and Michael Attwell as Bill Sikes.

Thanks to the BBC Drama Village for making the photo available.

The following comments were left on the Pebble Mill Facebook Page:

Terry Powell: ‘Great show I looked after a young actor playing Olive who now is a pilot for Easy Jet with 2 grown up kids – time does fly’

Carole Haysom: ‘Make up assistant Carole Haysom……Made up Eric Porter, in fact I still have his Fagin teeth’

Carol Churchill: ‘Makeup designer was Susie Bancroft’