Alison Steadman – Page 2 – What Was Pebble Mill?

Flatpack Film Festival – Second City Firsts

A Touch of Eastern Promise

The Flatpack Film Festival are going to be screening six 30 minute dramas made at Pebble Mill by the English Regions Drama Department, in April 2016 at the Midlands Arts Centre, Edgbaston:

“SECOND CITY FIRSTS

During the 1970s, a key strength of the drama department at BBC Pebble Mill was its ability to unearth new talent; not just through flagships like Play For Today, but also the entry-point offered by the likes of Second City Firsts. Running from 1973 for ten series, this half-hour slot took a chance on a spectacular range of ‘regional talent’ including Willy Russell, Julie Walters, David Rudkin, Brian Glover and many others. Just as importantly, it offered a diversity of representation that often compares favourably with today’s TV drama.

Volume One:

A Touch of Eastern Promise; Girl; Early to Bed

A Touch of Eastern Promise (1973), is not officially a Second City First, though it emerged from a very similar slot. Written by Tara Prem, it’s the tale of a daydreaming shop-boy who has the opportunity to meet his favourite star. Partly shot in Balsall Heath, all the cinema scenes were captured at the now-demolished Imperial on Moseley Road. To follow, an Alison Steadman double-bill: studio-shot military drama Girl (1974), which features the first lesbian kiss seen on British TV; and then Early to Bed (1975), with Steadman smouldering on location in a depressed mill town. This claustrophobic tale of infidelity was the first television script by Alan Bleasdale, who later went on to Boys From the Blackstuff and GBH.

Volume Two:

The Permissive Society; Club Havana; Jack Flea’s Birthday Celebration

It was at the Midlands Arts Centre where Mike Leigh first embarked on his unique approach to devising scripts, and Pebble Mill which commissioned much of his early TV work. Made a year before camping comedy Nuts in May, The Permissive Society (1975) is an overlooked gem. Also confined to a single set, Club Havana (1975) is a tense portrait of a Handsworth speakeasy by playwright Barry Reckord, featuring Don Warrington as the landlady’s son newly arrived from Jamaica and an incredibly young Julie Walters as the barmaid. We conclude with Jack Flea’s Birthday Celebration (1976), a psychosexual nightmare from the pen of Ian McEwan which is very much in keeping with his short stories of the time.”

Early to Bed + Jack Flea’s Birthday Celebration

The BFI are screening two Pebble Mill Second City Firsts, Early to Bed and Jack Flea’s Birthday Celebration as part of a series of forgotten dramas. The screening is to be held on Tuesday 3rd February, at 6.10pm at the BFI Southbank, NFT3. You can book tickets online: https://whatson.bfi.org.uk/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=CBAD85AB-44CD-4D30-ACE5-F25672CFAB42&BOparam::WScontent::loadArticle::context_id=4159993E-A281-42E4-A299-3431E39987B4

Early to Bed. Copyright resides with the original holder, no reproduction without permission

Early to Bed was Alan Bleasdale’s first television play. It was directed by Leslie Blair, and starred David Warwick, Alison Steadman, Johnny Meadows and Patricia Leach. The 1975, ‘Second City First’ is set in a Lancashire mining village, it tells the story of an eighteen year old, played by David Warwick, who has an affair with his married, next door neighbour – Alison Steadman. Bleasdale thought that Blair’s direction turned an average script into a very watchable play.

Here is the link to the synopsis of Jack Flea’s Birthday Celebration from the BBC Genome project: http://genome.ch.bbc.co.uk/689430d99ef64c58a1b6c3c947b854fc

Synopsis

Jack Flea’s Birthday Celebration by IAN MCEWAN
Jack Flea finds himself living with a woman nearly twice his age, who decides to make him her fantasy child. It is a role our young hero cannot resist.
Script editor PEDR JAMES
Designer MALCOLM GOULDING Producer TARA PREM Director MIKE NEWELL

Contributors

Editor: Pedr James
Designer: Malcolm Goulding
Director: Mike Newell
Ruth: Sara Kestelman
David: David Wilkinson
Mrs Lee: Eileen McCallum
Mr Lee: Ivor Roberts

Nuts in May title cards from Oliver White

These stills are of the original title cards for the 1976 Pebble Mill, Play for Today, ‘Nuts in Play’. The title cards are hand painted on individual sheets of acetate. They have been kept safe by Film Editor, Oliver White.

Mike Leigh was asked by Producer, David Rose, to set a television drama in his home county of Dorset. Mike then wrote and directed ‘Nuts in Play’, which starred Roger Sloman as Keith and Alison Steadman as Candice-Marie. Keith and Candice-Marie are a politically correct home counties couple on a camping holiday in Dorset. They have a frustrating encounter with a Brummie motorcycling couple whose loud music and uncivilised behaviour offend them.

Mike Williams was the cameraman, John Gilbert the sound recordist, and Dave Baumber the dubbing mixer. The costume designer was Gini Hardy, make-up was by Gwen Arthy, the production designer was David Crozier. The production unit manager was Dawn Robertson, with production assistants Cyril Gates and Gerard Patterson.

Thanks to Oliver White for making the title cards available.

Dawn Trotman (nee Mears) left the following comment about ‘Nuts in May’: ‘Just such a wonderful and very funny film. Pebble Mill at its height, and Oliver White a brilliant editor. He taught so many of us lowly assistants our craft. Who will teach the Tech ops, as they are called, now? There is no training.’

Oliver White talks about Mike Leigh and Nuts in May

Oliver White on Nuts in May from pebblemill on Vimeo.

This video is of Pebble Mill Film Editor, Oliver White, talking about working with writer and director Mike Leigh on the 1976 Play for Today: ‘Nuts in May’. The drama starred Alison Steadman as Candice Marie and Roger Sloman as Keith. It was produced by David Rose. ‘Nuts in May’ was screened at the ‘It Came from Pebble Mill’ weekend held in July 2010 at the Midlands Arts Centre, and Oliver is talking after watching the drama there.

Oliver White (Editor) – His Unreliable Memoirs – ‘Nuts in May’

Nuts in May by Mike Leigh

Did Mike Leigh know this was going to be a knock-out success umpteen years later?? I didn’t! ‘The famous CHEWING sequence! We tried several lengths. I now think it would be even funnier 4-5 seconds longer. I’ve always been a great believer in the ‘perfect stranger’. You grab someone passing the door, show them a one minute section and say, ‘Does it work?’ Yes, a fresh pair of eyes! The chap who played the quarry man did it for a MONTH, with Mike’s P.A. making notes! Then Alison and Roger turned up, and it lasted say an hour. And finally whittled down to what you now see. The chap loved doing it so much, he gave up acting and became a palaeontologist.

Two or three years later Alison was doing something that required her to walk across a ‘real’ school playground. ‘It won’t work’, she said, ‘They’ll recognise me’. ‘Go on’, said the director, ‘Give it a try.’ Well, all the kids rushed at her calling, ‘Candice-Marie, Candice-Marie!!’ (Mike heard the name on a bus).

I believe ‘Nuts in May’ had a remote genesis in a little two-hander upstairs at the Royal Court, called something like ‘Holy Glory’, about veggies.