Brian Watkiss – What Was Pebble Mill?

The Clothes Show

Thanks to costume designer, Janice Rider, for sharing the photo.

The photos shows The Clothes Show presenters, Jeff Banks and Selina Scott. The item obviously had a 1950s rock and roll theme.

The Clothes Show was a fashion magazine show, which went out weekly on a Sunday between 1986-2000. It was devised and produced by Roger Casstles. The series became well known for its high production values and stylish inserts, which often used innovative DVE transitions, canted shots and contemporary chart music.

The following comments were left on the Pebble Mill Facebook page:

Annie Gumbley-Williams: ‘Ivor Williams, and Brian Watkiss plus other editors on the Clothes Show won a BAFTA for editing the Clothes Show, and were also nominated a second time. The BAFTA disappeared from Pebble Mill when it closed. Anyone know where it went?’

Jane Clement: ‘It was a rock n roll edition of The Clothes Show back in our era – I remember they had a local rock n roll club there dancing, who are probably the people in the background. Roger Casstles and Claire Stride producing, of course, and Janice Rider would have been on wardrobe – fun job for her. Can’t remember who else worked on it though.’

Claire Cotton: ‘Remember it well as one of BBC Birmingham’s big hits, with its spin off event Clothes Show Live still going. I loved working on it, with Jane Galpin running the London office and Colette Foster and Roger Casstles our Birmingham Office. I am still in touch with many ex Clothes Show people including James Strong (who went on to direct Dr Who and Downtown Abbey) and James Morgan who went on to do Springwatch, the Apprentice and won a BAFTA for Big Blue Live.’

The Car’s The Star

Image copyright resides with the original holder, no reproduction without pemission.

The Car’s The Star was a series about classic cars, presented by Quentin Willson. It began in 1994. Quentin would tell the story of a particular car, which was interspersed with interviews from its various owners. Jon Bentley was the series producer, with Dennis Adams as executive producer. David Lowe wrote the theme music. Brian Watkiss and Peter Shannon were editors on the early episodes, Gary Vollans did the graphics, and the cameramen included Keith Schofield, John Couzens, Nigel Davey, and Keith Froggatt.

The following comment was added on the Pebble Mill Facebook group:

Andrew Chorlton: ‘I recorded at least two episodes, Citroen DS and Land Rover, messrs Couzens and Foster on camera respectively. Highlights? Taking a DS down the runway at RAF Wroughton with one wheel removed and checking into a hotel down south with John Wilcox who’s room had been booked in the name of Sir John Wilcox.’

Videotape in the 70s (part 7) – Ray Lee

Photo by Paul Scholes. Included are Brian Watkiss (blue T-shirt), Leigh Sinclair (shirt and tie), and Mike Bloore (far right)

VT Staff Changes

As I recollect, Tony Rayner was the first to leave becoming a director, and Mike Bloore to join VT as a junior. Steve Critchlow then became a VT editor alongside John Lannin. There was a period of stability until John Lannin became Operations organiser, and Steve Critchlow went I think to Planning. John Burkill, and Mike Bloore then became VT editors, and subsequently with VTC expansion Ian Collins became a VT editor. With the expansion and promotions VT was quite short staffed, which is when I had a longer spell working in VT, and training others in the operation of Quad Machines. I don’t remember details but Tim Savage, Brian Watkiss and Ivor Williams all arrived around that time. Peter Wood-Fisher was in VT later but not at any time I was working in VT. I think Steve May and Martin Dowell came later, possibly when the VPR2’s first arrived. After that I lost touch with staff movements in VT, as I spent more time in the Studio end of operations, and from 1984 in Engineering Services.

Ray Lee

Pebble Mill Club – final days

Photos by Tim Savage, no reproduction without permission.

Tim took these photos on 23 Nov, 2004, one of the final days at Pebble Mill.

The photos include post production staff including: John Burkill, Jim Gregory, Amrik Manku, Brian Watkiss, Ivor Williams, John Duckmanton, Tony Rayner, Martin Dowell, Mike Bloore, Pete Shannon, John Macavoy, Dave Pick, Frank Stevens.

Please add a comment if you can identify others.

The following comments were added on the Pebble Mill Facebook Group:

Stuart Gandy: ‘In image 1016 the guy in the blue shirt holding a pint is John Macavoy, Engineer, and in image 1017 I see Dave Pick in the check shirt and next to him is Frank Stevens, former engineering services manager.’

Keith Brook: ‘If I may take friendly issue with Stuart Gandy about John Macavoy. He wasn’t just an engineer, he was a god. He was able to invent magical cures for any crazy idea that production could conjure up. Even worse, he would undertand their mumblings and give them more than they ever dreamed of. I hate him. The best days were, of course, when the bar was on the second floor. Very few managers realised all the post recording toxic, adrenaline, hyper-excitement that could corrode a great day’s work was diffused with a few beers upstairs. Incidentally, a truly ‘involving’, ‘participating’ and ‘egalitarian’ system, as we had at The Mill, works in any organisation. British industry, banking and the NHS would be major successes if they applied the same rules.’

Portable 1″ Videotape Recorder (VPR 20)

Photos by Video Editor, Ian Collins; no reproduction without permission.

Ian took these photos before the sale of equipment when Pebble Mill was cleared prior to being demolished in 2005.

The portable 1″ videotape recorder (probably a VPR-20) was a useful piece of technology, meaning that shots could be recorded on location without a full outside broadcast, and before the advent of portable single cameras.

The VT editors shown in the photo are (left to right) Ian Collins, Steve Neilsen, Brian Watkiss, Ivor Williams, Mike Bloore, John Burkill, John Doidge, Steve May.

Peter Poole added the following information on the Pebble Mill Facebook page: ‘I remember a Clothes Show recording using the Ampex/Nagra VPR5. It was an audition for models in Studio 1. The queues stretched down Pebble Mill road.’

Please add a comment if you remember which programmes used portable 1″ recorders.