Pebble Mill Props Cages

10269346_10152452206602139_1156570742662719721_nPhoto by Karen Bond, no reproduction without permission.

This photo shows some of the props cages at Pebble Mill, together with a man in a very bright florescent vest! Props cages tended to be stored either in the basement of the building, or near the scene dock on the ground floor. They had wheels on the base, and so could be wheeled around easily. They were mostly used for dramas, although the studio and make-over shows also used them. I remember sometimes the cages weren’t where you’d left them, because they had been wheeled away by someone, which was rather disconcerting!

The following comments were left on the Pebble Mill Facebook page:

Steve Johnson: ‘I remember these. I used to work in the News Library next to the newsroom so was often in the basement looking for tapes or film reels.’

Andy Walters: ‘There are still a couple of props cages in the Horsefair car park. They still have the names of the last home makeover shows they were used for scribbled on the side in chalk.’

Marie Phillips: ‘Lovely House Services comandeered several each October for storing my Children In Need merchandise in the cabin loaned for free every year. Also – one Appeal Night me and Gyn Freeman got stuck in a lift behind one and had to keep going up and down until there was someone to rescue us. If you know Gyn and I you will know how funny that was !!’

Carol Churchill: ‘I remember the Props parties, well when l say remember that may be stretching the truth!’

Scott Holdsworth: ‘There were loads of these throughout the basement. I remember when Can’t Cook Won’t Cook finished and all the brand new pans were stored there for years. When there was a clear out I ended up with a kitchen full of lovely new utensils.’

Andy Bentley: ‘Props was great for fun when on nights, when we were in the old Security office at the back of the building we got a head from props. We put the head on a long pole and put it up to the edit suite window above the office. I reckon they could hear Trudy [Offer] and Ingrid [Wagner]’s screams in town. It looks more like Mervin in the photo.

Ruth Kiosses: ‘Best memories of the Props/costume store best known as Smelly (Oak). The Props Lads as they were affectionately known were real characters, especially Jacko who gave himself a wonderful long title which meant props lad. They had a tea room furnished in old Howards’ Way set so the drawers were dummies but it looked swish. I remember a lot of practical jokes after shooting a sex shop scene for a ‘murder mystery’? Series (title eludes me) although I remember costumes really well, lead lady in full Burberry check trousers etc, fabulous purple suede suit! Anyway the props as you can imagine were inflated and used for all sorts of interesting decorations!!!’

Teresa Fuller: ‘Was only privileged to visit Pebble Mill once, on an induction day. But when I worked at The Mailbox, we had storage cages over at the multi storey car park (the one with local rats and the fear of having a friendly local resident chucking something from the adjacent tower block as you walked back from your hire car drop-off)! Anyway, we used the cages to store props for To Buy or Not to Buy and one day a colleague and I had the pleasure of cleaning a cage out that was covered in mouse droppings. Nice.’

Andy Bentley: ‘There was also the skeleton propped up against a door in the basement so when Ted went on patrol and opened the door it fell out on him. Again I reckon the screams could be heard in town.’

Oliver Twist

Photo by Neil Wigley, no reproduction without permission

Photo by Neil Wigley, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

 

 

This publicity still is from the 12 part 1985 BBC adaptation of Charles Dickens’s Oliver Twist, which was a London production, hosted at Pebble Mill. The series was directed by Gareth Davies, and produced by Terence Dicks. Alexander Baron was the script writer, with Brian Wright the script editor. Bob Chaplin was the lighting director, Michael Edwards was the production designer, Al Barnett the costume designer and Alastair Askham the sound supervisor, with Mike Bloore the VT editor.

Ben Rodska played Oliver Twist, with Eric Porter as Fagin, and Michael Attwell as Bill Sikes.

Thanks to the BBC Drama Village for making the photo available.

The following comments were left on the Pebble Mill Facebook Page:

Terry Powell: ‘Great show I looked after a young actor playing Olive who now is a pilot for Easy Jet with 2 grown up kids – time does fly’

Carole Haysom: ‘Make up assistant Carole Haysom……Made up Eric Porter, in fact I still have his Fagin teeth’

Carol Churchill: ‘Makeup designer was Susie Bancroft’

 

Pebble Mill Charity Parachute Jump

Pebble Mill charity parachute jump

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

This photo was taken just before the Pebble Mill charity parachute jump, circa 1981.

Included are: Chris Goode (far left), Lesley Hope Stone (in yellow on left),John Priestley behind Lesley, then Trina Bond, Sue Robinson (in blue, first row standing), Wendy Mawson (next to Sue), Robin Sunderland (to the left and behind Sue), Brian Watkiss behind Robin, Phil Thickett (sunglasses at the back) Bob Cosford (glasses at the back), Nick Patten (in orange, wearing sunglasses, to right and behind Sue), Barrie Foster (blue suit, dark anorak), Dave Lowe (red suit, with beard), Andy Turley just behind Dave Lowe, next to Ian Fisher, Steve Mitchell (in khaki), Paul (?) Patterson to right of Steve, Merrick Simmonds (in blue, kneeling in front of Sue), Kevin Hudson (next but one to Merrick, blonde hair), Prakash photographer from Graphics (head in hands), Brian Bishop (blue jumpsuit, crouched on right).

Thanks to Sue Robinson, Kevin Lakin, Jane Mclean, Kevin Hudson for adding in the names.

Thanks to Dave Lowe for sharing the photo.

The following comments were left on the Pebble Mill Facebook Page:

Sue Robinson: ‘I’ve got a newspaper cutting about this somewhere. We raised money for the RNLI, I think?’

Kevin Hudson: ‘The young lad behind Steve Mitchell is Brian Bishops son. I remember the day well, I was slightly off course landing, and was dragged through a pile of sheep sh…t. Oh happy days.’

Carol Churchill: ‘Steve and Brian scenic artists. I saw them all jump, lot of green faces that day.’

Susan Astle: ‘I watched them all too, with Carol, it was an amazing sight. Susie (Bancroft as was).’

 

Juliet Bravo – Bacup

Juliet Bravo Bacup CC

 

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

Thanks to make-up designer, Carol Churchill for sharing this photo, from the early 1980s, of the crew of ‘Juliet Bravo’ outside the Police Station in Bacup, Lancashire.

Cameraman Nigel Davey is on the far left, next to electrician Arthur Heywood, then grips Jimmy Monks.

Please add a comment with other names.

Arthur Heywood – photo from Jane McLean

Copyright remains with the original holder, no reproduction without permission.

The photo is of a 1980 Pebble Mill at One shoot in Hong Kong.  In the photo are L-R: two unknowns; Jane McLean; John Gilbert; Nigel Davey; John Smith; John Williams; Arthur Heywood.

Thanks to Jane McLean for making this photo available.

Arthur Heywood was a Gaffer at BBC Birmingham from the early/mid 1960s until the 1980s.

Arthur died on Feb 7, 2012.

Colleagues who remember him fondly left the following comments on the Pebble Mill Facebook page:

Jane McLean: ‘One of my very favourite people. Had an amazing trip to Hong Kong and China with him in the 80s. He bought enough furniture out there to furnish a house .. then had to pay at least twice as much to get it shipped back here.’

Carol Churchill: ‘How sad worked with Arthur on lots of dramas and spent many jolly evenings in pubs with him and crew.’

Lesley Weaver: ‘We were only talking about Arthur the other day. That’s very sad he was such a lovely man & adorably cheeky ! I agree Carol lots of jolly times were shared with him. God bless you Arthur! X’

Janice Rider: ‘Simply a lovely man . Very sad’