House Trap

Gordon Whistance, Royston Horsley tucked behind Gordon, Craig Phillips. Photos from Suzie Curtlin, no reproduction without permission

Kate Hillman and Caroline Feldon Parsons, Dick Sharman in the back of shot

Esther Povey and Sam Beer

Contributors on the left, Suzie Curtlin and Robbie Williams on the right handside

Robbie Williams

Kate Hillman, Sarah Stokes

Kate Hillman and Caroline Feldon Parsons

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Thanks to Suzie Curtlin for sharing these photos of the BBC1 makeover show, House Trap. The team were ‘locked’ in a house for a week and had to makeover a different room each day.

The presenters included Gordon Whistance and Craig Phillips, shown in the top photo.

The following comments were left on the Pebble Mill Facebook page:

Sue Robinson: ‘I directed this and Rosemary Edwards was the Producer. I can’t remember the year but about 2000 ish sounds about right. It was a house somewhere in Hall Green.

Caroline Feldon Parsons: ‘It was freezing I remember. And I was actually able to walk to work as I lived in Hall Green at the time! Can’t really remember much about it now other than stressing about a kitchen reveal involving a stainless steel splashback, and Kate Hillman getting trapped in the bedroom during a live segment and having to dive down beside the bed to get out of shot!’

Kate Hillman: ‘It was probably 2001, as I’d had my first baby. This is also the only explanation as to why I’d cut my hair off and dyed it dark brown. Not really any recollection of that! It was definitely winter as we were using power tools outside in the dark and frost. Andy Payne’s fleece definitely caught fire in the bathroom, as I wasn’t sure whether to flap my clipboard or beat the flames with it! It was over the closing of the live show and he stayed steady to the end! The presenter was Charlotte someone from Watchdog. It was hard work because after we’d finished the show, before the paint was dry, we moved everything into that room to prep the next room. All presenters in sleeping bags locked in the house. Seemed like a good idea at the time!!’

Nigel Mercer: ‘Pretty certain it was after 2002, as I gave Craig the fleece he’s wearing on a Carlton TV show called Renovation Street in 2001 and I was working with the lovely Gordon Whistance on Changing Rooms in 2002.’

Producer Choice Explained

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Copyright resides with the original holder, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

 

 

This article was published in the Midlands News, the internal newsletter, in June 1992. Roger Waugh, the Head of Resources sets out to explain the principles behind, Director General, John Birt’s ‘Producer Choice’.

‘Producer Choice’ split off the Resource departments from Production, and resulted in mass redundancies in Resources. Redundancies are hinted at in this article, but the position wasn’t clear in 1992.

Thanks for Stuart Gandy for sharing this edition of Midlands News.

The following comments were left on the Pebble Mill Facebook page:

Carolyn Davies: ‘Still commonly used in inverted commas to mean ‘complete disaster’…’

Malcolm Hickman: ‘I remember I had to establish each business units’ asset size so they could be charged. A mammoth task.’

Mark Holdstock: ‘I couldn’t decide who was the worse DG. Birt or Mark Thompson producer choice was a completely stupid idea. When they started charging for record loans, we quickly worked out that it was much cheaper to pop into town to HMV and buy the disc.’

Steve Peacock: ‘Idiotic and divisive policy. Decimated the craft base and did us producers no favours at all.’

Caroline Feldon Parsons: ‘Producer Choice. Leading to much less actual sensible choice than a producer had before it was implemented. Lovely.’

Julia Versluis: ‘Until you had to pay for a service and discover it was three times more expensive this way.’

Julie Hill: ‘I jumped ship before that hideous “initiative” was enforced. Lost out on any redundancy though!’

Vicky King: ‘I remember it well, working in HR, one of the biggest change programmes I’ve worked on.’

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Studio 1 – Martin Fenton

Studio 1 control room

Studio 1 control room

 

 

 

 

 

 

 

 

 

 

Studio 1 light

Studio 1 light

Studio 1 Neumann U47s

Studio 1 Neumann U47s

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Photos by Martin Fenton, no reproduction without permission. Martin took these photos in 2003. Radio Studio 1 was the largest radio studio at Pebble Mill, and was also used for some television series in the latter years of Pebble Mill.

“Studio 1 was once a venue for glorious orchestral recordings, but by this point it had been deliberately priced out of the market (Abbey Road number 1 was cheaper) and was used for little more than Farming Today

The Neumann U47s , I was told were used at the insistence of Radio 3, when Studio 1 was regularly used for orchestral concerts.” [The mics may be Neumann U87s, see comment below from Andy Groves.]

Martin Fenton

(The Neumann U47s were condenser mics apparently well known for their clear sound. They were apparently the favourite mic of the Beatles manager, George Martin.)

The following comments were left on the Pebble Mill Facebook page:

Caroline Feldon Parsons: ‘Lots of happy memories doing programmes for Radio 3 in that studio. Everything from live Lunchtime Concerts to live drivetime programmes like In Tune, and lots of recorded chamber music. I did a fair bit of page-turning for pianists too!’

Chris Marshall: ‘Yes, it was really busy with Radio 3 programmes until the bizarre decisions around Producer Choice and bimedia put paid to that. Tony Wass could give lots of info on the technical stuff.’

Jane Ward: ‘Occasionally larger scale orchestral and brass band sessions for Radio 2 took place in there as well. I produced a fair number and, like Caroline, was involved in other ways before that, either page turning or acting as orchestral librarian before I became a producer… I arrived at Pebble Mill in February 1987 as the Music Assistant, a post which not only served Radios 2 & 3 but which ultimately extended to become a research and support service for the whole building.’

Andy Groves: ‘I think you will find the mics are a Neumann U87 rather than 47. Both fine microphones.’

Peter Trevena: ‘I think that the lamp is still working on Doctors

 

 

 

List of Pebble Mill programmes

Photo by Ben Peissel, no reproduction without permission

Photo by Ben Peissel, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

 

This a list of factual television programmes, described as ‘current’, was produced before the closure of Pebble Mill, around 2004. The list is included in a document housed in the BBC Archives in Caversham.

BBC One:

Points of View, Animal Sanctuary

BBC Two:

Gardeners’ World, Gardeners’ World Specials, Gardeners’ World Live, RHS Tatton, Gardener of the Year, Small Town Gardens, Rachel’s Country Garden [I don’t think this series was actually made], Million Pound Property Challenge, SAS Survival Secrets, Big Dreams – The Secrets of Asian Success, How I made My Property Millions

BBC Three:

The Brief: India and Pakistan, Greatest Eunuch Show, Black Beauty

BBC One Daytime:

Countryfile, Call My Bluff, To Buy or Not to Buy, Trading Up, Big Strong Boys, Sunday Garden, Trading Up in the Sun

 

The following comments were left on the Pebble Mill Facebook page:

Caroline Feldon Parsons: ‘I worked on 10 of those programmes! And don’t forget all the Radio programmes that were also being currently made …’

Simon Vaughan: ‘Pebble Mill was an amazing production centre – why on earth decommission it and pull it down, such an absolute waste. Just like TVC, their like will never be seen again.’

Carole Lowe: ‘Miss Pebble Mill a great building I worked on Anne and Nick and other programmes. Sad loss to BIRMINGHAM.’

Stuart Gandy: ‘Proper broadcasting centre.’

Pete Simpkin: ‘..and of course all the Radio…Live music , recorded music, Radio 2, Radio 3, amazing amount of Radio 4 ….drama, features, documentaries, the Archers and all the Local Radio as well!’

Judith Markall: ‘A sin to knock the building down!’

 

 

Big Strong Boys

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

Jake Robinson and Gavin Lowe were the original ‘Big Strong Boys’. The daytime DIY series, which succeeded ‘Big Strong Girls’.

The boys would descend on house and put right the DIY wrongs – building shelves, fitting cupboards, tiling – just whatever needed doing.

The boys were cheeky chaps, who loved to wind up the production team!  I remember receiving several spoof Mr Angry type phone calls!

I series produced one series of about 20 programmes, which were presented by Anna Walker.  Anna presented the programme from 1999-2001.

Deputy Daytime Controller, Alison Sharman was responsible for finding the boys, and asking Pebble Mill to develop the series, as a successor to ‘Big Strong Girls’.  The series ran from 1999-2004.

The presenter in these photos is Sarah Matravers, I think.

Vanessa Jackson

The following comments were left on the Pebble Mill Facebook page:

Caroline Feldon Parsons: ‘Yes it is Sarah Matravers. I worked on ‘Big Strong Girls’, with Bridget Calderhead and Elaine Walker who were partnered with vet Mark Evans, followed by these Boys, and also the second team of Boys which featured Craig Phillips (first winner of Big Brother) and Stuart Castleton. MDF madness!!’

Robert Dagg: ‘Used to watch ‘Big Strong Boys’ (and they were!) with Loran Durant and Susan Ball, coffees in hand, before the opening of the Shoulder Of Mutton at midday in Slawit :-)’

Suzie Curtlin: ‘And also Debra Veal presented with Craig & Stuart, and of course not forgetting Kate Silverton, we all know where she is now!’

Caroline Feldon Parsons:  ‘I think I must have worked on nearly every makeover show going! Building MDF creations in pouring rain under gazebos, drying paint with hairdryers to make the reveal, dealing with “cheeky chappy” presenters and their particular brand of charm, yes, the memories are flooding back!’

Becky Land: ‘Painting wardrobes at 2am…. watching placentas being buried under trees… couriering tons of railway sleepers half way across England. The normal office job’s not quite the same.’