Photo by Peter Poole, no reproduction without permission.
Photo by Peter Poole, no reproduction without permission.
Photos by Ian Collins, no reproduction without permission.
Video editor Ian Collins took photos of various pieces of post-production technical kit before the fixtures and fittings of Pebble Mill were sold off in auction in Autumn 2004.
These photos are of a Nagra audio recorder. They were used in the PSC (portable single camera) edit suites until the 1990s. They were very rugged and reliable.
Please add a comment if you can add information about how the Nagras were used.
The following comment was made by recordist Murray Clarke about location Nagras: ‘Of course the Nagra 3 and 4s were the standard sound recording machine for location recordists for many many years before DAT became more common. I bought my mono Nagra 3 in 1971 for a cost of around £3200. I took it up to Yorkshire for a couple of episodes of all Creatures Great and Small – and it rained solidly for a fortnight!!!. My ‘over-qualified’ boom op and assistant was Dave Baumber, then the Dubbing Mixer at the newly-built Pebble Mill studios.’
Christopher Hall adds the following information: ‘This is a Nagra T. T for twin capstan. They had a computer controlled synchroniser which could chase timecode from the VT machine in an edit suite at high speed. I went on a factory course for these in the late 1980s. We spent a whole day learning how to repair the motors, and when we asked how long they usually lasted for a discussion in French and German revealed that they didn’t know because none had stopped yet!’
Paul Vanezis: ‘I tracklayed 10 episodes of ‘Chalkface’ and 8 episodes of ‘Specials’ on a Nagra T…’
Peter Poole: ‘This must be the finest tape recorder ever made. I spent ages trying to get film unit to buy one for the transfer suite. It never happened. But after seeing the price I could see why!’
Pete Simpkin: ‘Totally agree with you Peter……I used one to great effect recording a nightingale for a Radio Birmingham programme in the 70s. The standard reporter’s Uher was not up to the job and the simple version Nagra gave level control, mixing of two mics AND ‘off tape’ monitoring!’
Photos by Willoughby Gullachsen, no reproduction without permission.
This 1985, 4 part drama series was directed at Pebble Mill by Martyn Friend, and produced by Colin Rogers. John Harvey wrote the adaptation of Arnold Bennett’s novel, set in the potteries in the 1890s. Bob Chaplin was the lighting director and Michael Edwards the production designer. Dave Baumber recorded sound (Dave is the one with the moustache and not a lot of hair in the close up photo). Sue Bennett-Urwin was the 1st A.D., and can be seen directing in the last black and white photo. Filming took place in the Isle of Man in 1984, amongst other places. This is where the photo of the cast and crew was taken. The black and white photos were taken at the Black Country Museum near Dudley.
The series starred Linsey Beauchamp as Anna Tellwright, Emrys James as Ephraim Tellwright, Peter Davison as Henry Mynors, Anton Lesser as Willie Price and Anna Cropper as Mrs Sutton.
I believe that Anna of the Five Towns was the first location drama at Pebble Mill to be recorded single camera on video tape. Please add a comment if you can confirm this, or can identify people in the photo of the cast and crew.
Group picture – either side of Jim Clelland (2nd on the left) are Dick Bentley (OB Lighting) and Ray Sperry (Engineer). Joyce Hawkins (Costume), Sally Englebach (Design) and Lesley Perry (Make-up) in the centre amongst others. Paul Woolston (Senior Cameraman) on right and also on camera in the tracking shot. From costume Terry Powell, Mark Ridley, Sally Pearson who sadly is not with us any more, Rachel Selby. The chap with the bald head and the moustache is Dave Baumber (sound), next to him is editor Ivor Williams and Steve Neilsen. Infront of Dave, I think is P.A. Sally Daniels.
(Thanks to Dave Bushell, Terry Powell, Stuart Gandy, Jane Clement, Annie Gumbley and Russell Parker for their help in identifying people).