Dave Pick – What Was Pebble Mill?

Dave Pick wins Radio Club prize

Pebble Mill News 1984

This cutting is from the Pebble Mill News, March 1984. This was the internal staff newspaper.

The article tells how Dave Pick, an OB Maintenance Engineer at Pebble Mill, won a short-wave radio competition, by contacting more short-wave radio stations than any other competitor. He did all this from the 2nd floor of Pebble Mill.

The following comments were left on the Pebble Mill Facebook page:

Roy Thompson: ‘I think it was a popular past time for many engineers, John Endall I think was one. At Wood Norton there was a radio shack which was popular with trainee engineers and operators.’

Malcolm Hickman: ‘There were quite a few Radio Amateurs at Pebble Mill. Dave is still about.’

Thomas Graal: ‘We shortwave fans were well served back in the day….unlike now.’

David Ackrill: ‘Many organisations had Amateur Radio groups as part of their sports and social groups. I belonged to the MEB Radio Club (G6MEB and G4MEB) on Mucklow Hill, Halesowen. I became friends with Giles Herbert when he moved to Birmingham and lived just down the road from each other for a while. I worked the Children In Need special event station and still have a QSL card for the contact somewhere.’

Dave Pick: ‘Yes we had a radio room in what used to be the 2nd floor club’s bottle store. We had access to the roof for aerials (not so much health and safety then!). Who remembers that geodesic dome they tried to use for programmes up there? I still hold the G2BBC call sign. Radio club had quite a few members including Maurice Darkin, John Endall, Simon Evans, Frank Stevens, Malcolm Hickman and loads more.’

Jim Lee: ‘I remember having a few plays on G2BBC in the 90s with Dave and Giles in that store. I remember going up on to the roof as well – probably with Dave – where there was a Cobwebb and the top of a sloping 160m dipole.’

Brian Empringham: ‘Hi Jim, don’t know about Pebble Mill, but there were some hams at Bush – including the late George Eason – who worked out of some sort of shack on the roof.’

Pebble Mill Club – final days

Photos by Tim Savage, no reproduction without permission.

Tim took these photos on 23 Nov, 2004, one of the final days at Pebble Mill.

The photos include post production staff including: John Burkill, Jim Gregory, Amrik Manku, Brian Watkiss, Ivor Williams, John Duckmanton, Tony Rayner, Martin Dowell, Mike Bloore, Pete Shannon, John Macavoy, Dave Pick, Frank Stevens.

Please add a comment if you can identify others.

The following comments were added on the Pebble Mill Facebook Group:

Stuart Gandy: ‘In image 1016 the guy in the blue shirt holding a pint is John Macavoy, Engineer, and in image 1017 I see Dave Pick in the check shirt and next to him is Frank Stevens, former engineering services manager.’

Keith Brook: ‘If I may take friendly issue with Stuart Gandy about John Macavoy. He wasn’t just an engineer, he was a god. He was able to invent magical cures for any crazy idea that production could conjure up. Even worse, he would undertand their mumblings and give them more than they ever dreamed of. I hate him. The best days were, of course, when the bar was on the second floor. Very few managers realised all the post recording toxic, adrenaline, hyper-excitement that could corrode a great day’s work was diffused with a few beers upstairs. Incidentally, a truly ‘involving’, ‘participating’ and ‘egalitarian’ system, as we had at The Mill, works in any organisation. British industry, banking and the NHS would be major successes if they applied the same rules.’

Telly Addicts – Hooferdoofer

One of the characteristics of ‘Telly Addicts’ was a specially made ‘remote’, which Noel Edmonds would use to cue the clips for the contestants. This device was called the ‘hooferdoofer’.

The ‘hooferdoofer’ was built by Dave Pick from engineering, ‘It was unusual in that it didn’t use infra red light like a TV remote, it used low frequency radio picked up by a wire loop that ran all round the set. This meant that Noel didn’t have to point it in any particular direction. The three buttons operated three lights in the gallery via tie-lines from the studio floor.’

Louis Robinson came up with the name of the remote:‎ ‘”Hooferdoofer” was a word I stole from my grandmother to describe the remote.The requirement was – if I remember – Jules May wanted Noel’s hooferdoofer to signal her as the director giving her freedom to cue the clips thus keeping her control of the studio. The tightness of the relationship between Noel’s intro and the start of the clip was 90% done by the excellent editing in post production.’