Fellow Traveller poster and script front page

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Thanks to Ann Chancellor-Davies for sharing this promotional film poster, and the front page of the rehearsal script, (Ann’s huband Gavin, was the production designer on the film). It never ceases to surprise and delight me, how many script front pages have been kept by people – they are such a mine of useful information!

Fellow Traveller was the only cinematic feature film to be made at Pebble Mill, it was transmitted on 10th February, 1991 on BBC2.

Below is the entry from the Radio Times, courtesy of the BBC Genome project:

“Starring Ron Silver, Imogen Stubbs, Daniel J Travanti, Hart Bochner
1950s Hollywood: the McCarthy senate committee is conducting a witch-hunt for supposed communists in the entertainment industry and betrayal is in the air. For three friends this proves to be a disaster – for the writer who must work incognito for the emerging ITV in England; for the musician now living in England, a painful renewal of old wounds; and for the star a final performance.
Producer Michael Wearing, Director Philip Saville”

http://genome.ch.bbc.co.uk/982604f5c78f4f9ab5618684c165c64b

The following comments were left on the Pebble Mill Facebook page:

Roger Slater: ‘I was Sound Mixer, ably assisted by the late great Tim Everett as Boom Operator and Benedict Peissel as Sound Assistant. Shot in Bray Studios and on location in the UK and Miami.’

Lesley Weaver: ‘I was the Hair & Make Up Designer, a privilege to work on this artistically challenging film as it covered historically wonderful periods for make & up and hair.

It took me to New York for photo shoots, Miami, The Keys glorious sea shore and numerous UK locations including Bray Film studios.

The fun recreation of 1950’s Robin Hood, Maid Marian, Sheriff of Nottingham and all the Merry (Stunt) Men.
Fighting scenes shot in Gavin Davies’s amazing huge forest built at Bray Film Studios.

Sue O’Neill was my lovely able Senior Assistant in the UK, amongst a team of talented make up girls and the late Peter Shepherd in the US.

We did 20’s 40’s & 50’s wigs, cut throats, pumping wounds and black blood for early 1950’s black & white TV make up… I remember Sue O’Neill baking her prosthetics around the country in various hotel ovens over night! Such dedication!
From Art Deco offices to post war austere London bedsits and disagreeable landladies. Then over to the warmth & glow of Hollywood party life with dazzling costumes glamorous film stars & cars, the McCarthy Committee cloud over Hollywood and suicide in coral swimming pools. It had it all for make up & costume!
Always a great laugh to work with Al Barnett Costume Designer extraordinaire and all the other talent technicians on the production ….. And let us not forget costume design assistant, Amin Hassan who we sadly lost a few week ago!

Writer Micheal Eaton was enthusiastically on set everyday and excited to be ‘wigged up’ for his Hitchcockesque cameo scenes! …

….. it was always a pleasure to find yourself working on one of Micheal Wearing’s productions as you knew all your hard work would contribute to something worthwhile.

How lucky was I?

Oh Happy Happy Days !!’

 

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Post Production Christmas Party

Mark Heslop, Ingrid Wagner, Stan Treasurer, Greg Miller

Mark Heslop, Ingrid Wagner, Stan Treasurer, Greg Miller

Jonathan Birkett, Victoria Trow, Roger Mulliner, Ian Bellion

Jonathan Birkett, Victoria Trow, Roger Mulliner, Ian Bellion

Ian Bellion, Peter Gower, Charles White, John Rosser, Mike Duxbury

Ian Bellion, Peter Gower, Charles White, John Rosser, Mike Duxbury

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Photos by Shirley O’Mara, no reproduction without permission.

Each year the Pebble Mill Post Production department held its own Christmas party. These photos date from the late 1980s, when the department descended on the Forbidden City Chinese Restaurant for its festive treat!

Please add a comment if you can identify any of the missing names.

Memories of Philip Donnellan – Peter Poole

Philip was a producer who gave a voice to people who seldom appeared on television. His films had a similar style to the ‘Radio Ballads’ produced in Birmingham by Charles Parker. They mixed actuality with specially commissioned music to tell the life stories of people from all sections of society. Philip was a great interviewer and was able to put interviewees at ease and talk at length.

Philip frequently had a high shooting ratio to achieve the highest standard of documentary production. He sometimes ran over budget before his films were finished. This caused some conflict with BBC management. However he always seemed to find the money to complete his films. In 1977 he produced ‘Pure Radio’. This film was about the Radio Features Department and Charles Parker. John Pierce from Audio Unit had worked on the ‘Radio Ballads’. He took part in this drama documentary working again with Charles Parker. The film editor was John Bland.

I remember working on ‘Gone for a Soldier’. A large group of World War 2 veterans told stories of their war time experiences. This was covered by 2 film cameras and 2 microphone booms. The only time filming stopped was when the audio tape ran out. The sound recordist was Dennis Cartwright from BBC Manchester. I can’t remember the rest of the crew. The film editor, Greg Miller spent many months on this production. It was broadcast in 1980 as two 50 minute films shown on the same night. This film was very controversial and generated a strong reaction in the media and the establishment. Questions were asked in Parliament as it showed the military in a very poor light. Philip was driven by a strong socialist political belief and was on the side of the “underdog”. The film’s main theme was the poor treatment of soldiers by the senior military. Specially commissioned music was used to illustrate the lives of soldiers throughout history to contemporary times. This was Philip’s finest film and much of it is still relevant today.

At times Philip could be a little “difficult” and did not appreciate my comments about his tape recording skills. His PA Elizabeth Seaborne called into the transfer suite with tapes for transfer to SEPMAG. It was evident they had not recorded by a professional sound recordist. My report listed many technical faults with these tapes. I stamped the tapes “Not for TX”. I soon heard Philip was rather annoyed by my comments. A little later Elizabeth phoned to tell me Philip was coming to see me. I was very apprehensive about telling a senior producer that his tapes were not broadcast quality. Philip came in looking quite annoyed but after some discussion we came to a mutual understanding.

Philip had a policy of keeping all material from his films after broadcast. A storage area in Pebble Mill’s basement was full of film negatives, tapes and paperwork going back many years. I hope this collection is now in safe storage.

Philip made many films and I was fortunate to have a very minor role in the last few. These films would never be made today due to cost and the long production times. Philip is a major figure in the documentary movement but now seems totally forgotten by the BBC. A Donnellan season on BBC Four would be a fitting tribute to this great producer. But the BBC seems intent on never repeating any of his work.

Peter Poole

John Bland, photo by Peter Poole

Greg Miller, photo by Peter Poole

Pebble Mill Film Editors – photos by Jim Gregory

Photos by Jim Gregory, no reproduction without permission.

The photos feature some of the Film Editors from BBC Pebble Mill, including: Beverly Mills and Dawn Mears, Alan Barnby, John Rosser, John Bland, Oliver White, Greg Miller, Peter Gower and Lynn Hawkins. They were taken in 2004 by Jim Gregory, at one of the editors’ annual get togethers.

The Drinkers

Copyright remains with the original holders, no reproduction without permission.  The photographers include: Tim Savage, Paul Scholes, Brian Watkiss, Jim Gregory, Kate Davies, Ian Collins, Paul Vanezis, Steve May, Leigh Sinclair.

Making programmes is thirsty work as testament in these photos. Some of the drinks are definitely coffee!

Brian Watkiss