Pebble Mill Props Cages

10269346_10152452206602139_1156570742662719721_nPhoto by Karen Bond, no reproduction without permission.

This photo shows some of the props cages at Pebble Mill, together with a man in a very bright florescent vest! Props cages tended to be stored either in the basement of the building, or near the scene dock on the ground floor. They had wheels on the base, and so could be wheeled around easily. They were mostly used for dramas, although the studio and make-over shows also used them. I remember sometimes the cages weren’t where you’d left them, because they had been wheeled away by someone, which was rather disconcerting!

The following comments were left on the Pebble Mill Facebook page:

Steve Johnson: ‘I remember these. I used to work in the News Library next to the newsroom so was often in the basement looking for tapes or film reels.’

Andy Walters: ‘There are still a couple of props cages in the Horsefair car park. They still have the names of the last home makeover shows they were used for scribbled on the side in chalk.’

Marie Phillips: ‘Lovely House Services comandeered several each October for storing my Children In Need merchandise in the cabin loaned for free every year. Also – one Appeal Night me and Gyn Freeman got stuck in a lift behind one and had to keep going up and down until there was someone to rescue us. If you know Gyn and I you will know how funny that was !!’

Carol Churchill: ‘I remember the Props parties, well when l say remember that may be stretching the truth!’

Scott Holdsworth: ‘There were loads of these throughout the basement. I remember when Can’t Cook Won’t Cook finished and all the brand new pans were stored there for years. When there was a clear out I ended up with a kitchen full of lovely new utensils.’

Andy Bentley: ‘Props was great for fun when on nights, when we were in the old Security office at the back of the building we got a head from props. We put the head on a long pole and put it up to the edit suite window above the office. I reckon they could hear Trudy [Offer] and Ingrid [Wagner]’s screams in town. It looks more like Mervin in the photo.

Ruth Kiosses: ‘Best memories of the Props/costume store best known as Smelly (Oak). The Props Lads as they were affectionately known were real characters, especially Jacko who gave himself a wonderful long title which meant props lad. They had a tea room furnished in old Howards’ Way set so the drawers were dummies but it looked swish. I remember a lot of practical jokes after shooting a sex shop scene for a ‘murder mystery’? Series (title eludes me) although I remember costumes really well, lead lady in full Burberry check trousers etc, fabulous purple suede suit! Anyway the props as you can imagine were inflated and used for all sorts of interesting decorations!!!’

Teresa Fuller: ‘Was only privileged to visit Pebble Mill once, on an induction day. But when I worked at The Mailbox, we had storage cages over at the multi storey car park (the one with local rats and the fear of having a friendly local resident chucking something from the adjacent tower block as you walked back from your hire car drop-off)! Anyway, we used the cages to store props for To Buy or Not to Buy and one day a colleague and I had the pleasure of cleaning a cage out that was covered in mouse droppings. Nice.’

Andy Bentley: ‘There was also the skeleton propped up against a door in the basement so when Ted went on patrol and opened the door it fell out on him. Again I reckon the screams could be heard in town.’

Timesheet – Reaching for the Skies

Charles White's timesheet

Charles White’s timesheet

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

This timesheet is from Charles White, who was involved in the post-production of the documentary series: Reaching for the Skies, a history of flight. The twelve part series was transmitted in Sept-Nov 1988. It was a co-production with John Gau Productions, the series producer was Ivan Rendall, with different episodes being produced and directed by different people, including Tony Salmon and Dennis Adams. The editors included Greg Miller and Mike Duxbury.

The timesheet shows an over 80 hour week for Charles, meaning that he would have accrued an awful lot of overtime payments, or time off in lieu!

The following comments were left on the Pebble Mill Facebook Page:

Jane Green: ‘I have my Clothes Show and Howards’ Way timesheets. 20 hours days filming – no joke!’

Ruth Barretto: ‘I can remember the days when I used to process all of productions timesheets and Expenses. 4 consecutive days in excess of 12 hours and on the 5th day 4 hours then you earn a day off in lieu…. Oh so sad that i still remember that!!!’

Lynn Cullimore: ‘I can imagine the hours as it was a big production. I worked on it for a few days filming at RAF Coningsby on tornadoes. It was fantastic.’

Victoria Trow: ‘Long hours? Over 100 one week on the dreaded Witchcraft. But nobody ever minded over time – time and a half + less than 10hr break….. Those were the days. My first job at Pebble Mill – in a portakabin with Fiona Haigh syncing up the rushes.’

Mark Heslop: ‘108 hrs on same series, unfortunately no proof, but everybody worked stupid hours on that programme.’

Rosalind Gower: ‘I’m still rather horrified he was scheduled a 60 hour week! I know we all worked crazy hours when we had to but it does seem very wrong that he was officially down to work for five consecutive days of 12 hours per day, big production or not.’

Kate O’Mara – Howards’ Way

Howards Way Howard's Way MH

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission. Kate O’Mara is second from the right in the top photo. The lower photo shows the cast and crew of Howrds’ Way.

Kate O’Mara died on Sunday 30th March 2014, in a Sussex nursing home, aged 74, after a short illness.

Kate O’Mara played the part of Laura Wilde in Howards’ Way, series 5-6.

Howards’ Way was made at Pebble Mill between 1985-90. It was a London hosted production. The drama series was inspired by US soaps like Dynasty and Dallas. The series was created and produced by Gerard Glaister. It was set in a fictional town of Tarrant on the south coast of England, around the rich and glamorous world of sailing. It followed the trials and tribulations of the Howard family, and their rivals.

Here is a link to Howards’ Way on YouTube: http://www.youtube.com/watch?v=9oK03V7z_IA

The following comments were left on the Pebble Mill Facebook Page:

Karen Lamb: ‘I remember when we were filming in Studio A for Howards’ Way and she had to drink some champagne during a scene, ever the professional (only after she had completed the scene) she went mad that it was real champagne & not fake!’

Susan Astle: ‘I was lucky enough to do Kate’s make up on most of the series.’

Mary Sanchez: ‘I worked on Howards’ Way with her for 2 series – she had a very dry sense of humour and had the men eating out of her hand ! Lovely lady – sorry to hear of her passing away relatively young.’

Nigel Davenport (1928-2013)

Actor, Nigel Davenport died of pneumonia on 25th October 2013, aged 85.  Nigel was best known for appearing in films like A Man for All Seasons,  Chariots of Fire, Greystoke, Zulu Dawn but he also appeared in a couple of Pebble Mill drama series. He appeared in the series Trainer as the character, James Brant, and also as Sir Edward Frere in  Howards’ Way.

Here is the publicity brochure for Trainer, which features Nigel Davenport. Copyright resides with the original holder, no reproduction without permission.

Trainer MH Trainer 2 MH Trainer 3 MH Trainer 4 MH Trainer 5 MH

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The following comment was left on the Pebble Mill Facebook group:

Carole Haysom: ‘I worked with Nigel on both Howards’ Way and Trainer. He had a wicked sense of humour and a true gentleman. A top notch actor who didn’t take himself too seriously. I didn’t realise he’d died, unfortunately some news doesn’t filter through here in Dubai.’

Andy Redfern, Audio Unit – photo by Peter Poole

Andy Redfern

Photo by Peter Poole, no reproduction without permission.

Andy was a senior audio supervisor. He worked on many TV and radio programmes. They include ‘Doctors’, ‘Howard’s Way’ and ‘Juliet Bravo’.

Peter Poole