David Attwood

‘Keep Smiling’, photo by James French

From Heather Storr, Diana Coxon and Jenny Brewer

It is with great sadness that we pass on the news of the death of David Attwood. David had not been well for the last few years and he died on 21st March 2024. Many of you will remember him from his days in English Regions Drama at Pebble Mill.

Here are some memories from both Heather and Diana. This list of shows that David worked on is not exhaustive but is truly representative of his skills and expertise as a Director.

David joined the Drama Department as an AFM in 1976. He came down from BBC Scotland where he had worked with Alastair Reid. Heather worked with him on OUR FLESH AND BLOOD in 1976 and the next year they both worked on the GANGSTERS series.

A few years later he became a Production Assistant and then Production Manager and worked on OUT OF TOWN BOYS (1978) and KEEP SMILING (1979) before THE BLACK STUFF (1980) and THE MUSCLE MARKET (1981). Then the series BOYS FROM THE BLACK STUFF (1982) and we think DEAD HEAD (1986) as well.

In 1984 he undertook the BBC Directors course and started what was to be his main career as a Drama Director at Pebble Mill. His shows included ALL TOGETHER NOW (1986), a comedy set around a brass band; AIRBASE (1988) which aroused controversy for its unflattering portrayal of life on an American airbase in Britain; and by the time he became freelance KILLING TIME (1990) a dark tale of a killer who befriends a teenager and murders him.

Heather worked with him on the following films between 1992 and 2007.

WILD WEST (1992), SHOT THROUGH THE HEART (1998), SUMMER IN THE SUBURBS (2000), FIDEL (2002), STUART A LIFE BACKWARDS (2007)

His other films/dramas during this time are:

THE FORTUNES AND MISFORTUNES OF MOLL FLANDERS (1996) THE HOUND OF THE BASKERVILLES (2002) MAY 33RD (2004) TO THE ENDS OF THE EARTH (2005) BLOOD AND OIL (2010)

HIs nominations and awards include :

TO THE ENDS OF THE EARTH

BAFTA Awards / 2006 Nominee / Best Drama Serial

Biarritz International Festival of Audiovisual Programming / 2006 Nominee / TV Series and Serials

SHOT THROUGH THE HEART

San Francisco International Film Festival / 1999 Winner / Television Drama Feature

BLOOD AND OIL

Geneva International Fim Festival / 2009 Winner / Drama Series

The Franchise Affair – James French & Keith Salmon

The Franchise Affair was a six-part drama series that went out on BBC1 on Sunday afternoon in 1988. It was directed by Leonard Lewis and starred Patrick Malahide. Much of the series was shot in Church Stretton, where all these photographs were taken. Photos by Keith Salmon and James French.

John Trew (grip) and Keith Salmon (Camera Supervisor). Elemac dolly with Reg Allen arm, Vinten Swan panning head and Ikegami HL-79E.

Sam-Master Crane. James French (focus pulling) Keith Salmon on Camera. Nick Johnson (sound), Fred Jobling on cable.

Sam-Master Crane. Keith Salmon on camera. Leonard Lewis (director) watches the monitor.

Sam-Master Crane. Keith Salmon on camera.

Keith Salmon on Egripment Tulip Crane. Leonard Lewis (director) is below. John Trew (rigger) with white gloves by the crane.

Keith Salmon on crane.

Eric Crouch (spark), Louise Willcox (sound), Keith Salmon (camera) & John Trew (grip).

John Trew (grip), Louise Willcox (sound), Keith Salmon (camera) & Eric Crouch (Spark).

Grips/Riggers: Fred Jobling, George Stephenson, John Trew & Dennis Wintermantle.

James French & Keith Salmon on Sam-Master Crane.

James French & Keith Salmon on Sam-Master Crane.

Nick Johnson on the sound boom, James French on camera, Dennis Wintermantle (grip) and Leonard Lewis (director)

Patrick Malahide and Keith Salmon (camera supervisor)

Keith Salmon operating Ikegami HL-79E with Canon 8×6 lens.

Camera Crew and the Nike Crane

Photographs by Bhasker Solanki, no reproduction without permission

The top photo features camera operators Philip Thickett and Alan Duxbury. The lower photo features camera operator, Keith Froggatt.

If the photographs are from The Various Ends of Mrs F’s Friends, then they date from 1981.

The following comment was added on the Pebble Mill Facebook Page:

James French: ‘That is a Nike crane from London. It only came up a couple of times. I’m guessing this is from ‘The Various Ends of Mrs F’s Friends’ directed and choreographed by Gillian Lynne?’

 

A Sort of Innocence photographs – James French

A Sort of Innocence was recorded in October 1986. James French was cameraman, and has shared and captioned these photos taken on location in Hereford.

Don’t know who the extra is leaning against the wall. Guy with cigarette is Production Manager, Peter Rose; not sure about stripey, guy with white fleck in hair is Director, John Gorrie; lady is Producer, Ruth Boswell; on right is Sound Supervisor, Ray Bailey.


Grip is Ron Fleet, then Director, John Gorrie and me (2nd Camera) on Elemack dolly.

Me and John Gorrie again

Ron and me again in the foreground. Tim Everett holding the sound boom. I think the actor standing is Linus Roache and sitting in the Jaguar XJS is Kenneth Cranham.

Leaning on tripod is Rigger Supervisor, George Stevenson; Grip, Ron Fleet; cable-bashing is Rigger, Barry Clarke; on dolly is Camera Supervisor, Keith Salmon, with back to camera is Tim Everett (sound) and holding the boom pole is Tony Wass.

No caption necessary as all folk are named elsewhere.

Lighting Director, Barry Chatfield with Lastolite.

Grip, Ron Fleet; Rigger, Barry Clarke; Camera Supervisor, Keith Salmon

Lighting technicians (Sparks!): Roger Hynes and Dave Walter, with Rigger Supervisor, George Stevenson.

Dresser, Paul Higton; Designers, Martin Boddison and John Lindlar; Dresser, Shaun Lowe.

Me again (one of my favourite pics – I actually look like I know what I am doing!)

The only additional people on here are the boy, Actor, Neil Jeffery and with his back to us (next to Neil), Actor, Michael Byrne.

Christmas show in Studio A

Photo by Malcolm Hickman, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

Can anyone identify this Christmas entertainment show in Studio A?

Thanks to Malcolm Hickman for sharing the photo.

The following comments were added on the Pebble Mill Facebook page:

Malcolm Hickman: ‘I have a vague recollection that it was a L.E. Show featuring 5th Dimension, but as it was over 40 years ago, I might be mistaken.’

Andy Frizzell: ‘Not that long ago Malcolm. I think it might have been an ‘Ebony’ spin off. I remember working on it and I only joined the Beeb in 1980. I remember it being a pig to light inside that tent though.’

James French: ‘Yes definitely an ethnic minority programme. I would say about 1985.’