Jane Green – Page 5 – What Was Pebble Mill?

Schedule A Expenses

Here are the regulations about Schedule A expenses from 1993.

Thanks to Jane Green for sharing these.

Telly Addicts

Thanks for VT editor, Ian Collins for making these grabs available.

Telly Addicts was a gameshow which went out between 1985 and 1998 on BBC1, with all the questions being based on television shows past or present. Most questions were introduced via clips. It came out of John King’s department, and was presented by Noel Edmonds. The format of the shows changed a bit over the years, and there were some celebrity versions and Christmas specials. Usually there were two teams of four contestants, and a tournament structure which produced an overall winning team at the end of the series.

The show was recorded in Studio A.

The following comments were left on the Pebble Mill Facebook group:

Maria Needle: ‘Ah yes I was the production secretary on Telly Addicts, Sue Williams was the PA, Louis Robinson was the producer, Sue Robinson the Director I think. I learnt to drink on this show!’

Ruth Kiosses: ‘We did loads of light entertainment costumes for Telly Addicts either from Selly Oak stores or sent up from Wales Farm Road and ones that were made especially (usually at pretty late notice I recall?) Mr Blobby often arrived in a box for various of Noel shows not sure whether he appeared on Telly Addicts?’

Clare Cotton: ‘Aghhh happy days! We had such a laugh making telly addicts-great production team, great characters one and all…’

Jane Green: ‘Noel always gave me a panic by arriving at the last minute in his helicopter but was always ready on set on time and wanted no special treatment. I once found him standing on a chair in his dressing room trying to get a signal on a new thing called a mobile phone. It was the size of a shoebox.’

Julian Hitchcock: ‘Like Jane, I floor managed it. I also directed it once on some sort of wheeze, and was a terrible Assistant Producer on the show. Richard Lewis was the producer, working with the very talented Louis Robinson as (correct me, Louis) AP cum scriptwriter. Marino Katchmaryck was the genius AP, who (unlike me,- who didn’t possess a TV and preferred books and radio) knew everything about every programme since the birth of Logie Baird. John King presided fatuously over all, assisted by Tim Manning. King’s slightly dubious interests in the supposed format rights helped my interest in intellectual property, which I’ve practiced for 17 years now.
In my view, the sycophancy displayed towards Edmonds, which he seemed to expect, probably contributed to the fatality on a different programme that he presented. Edmonds himself appeared to loathe the contestants. It was, however, very easy and very successful.’

Becky Rogers: ‘Worked on sadly the last series of the show in @ 1998 with Helen Hands (nee Lott) as producer, Sue Robinson as director, together with Nick Harris, Sarah Proctor, Kate Hillman, Simon Lupton, Dan sorry can’t remember surname…… Richard Lewis was exec producer. Happy memories – especially the celebrity edition featuring a very young Ant and Dec!! Left telly in 2000 for life in the lakes and the world of commercial radio. Got married last December and hubby surprised me with a personal video message from Noel during the speeches. Despite it being 14 years since I’d worked briefly with him, it was genuinely lovely of him to ‘share’ our day. Many many happy memories of my time at Pebble Mill!’

Julian Hitchcock: ‘I had no idea that it went on so long after I left in ’92. I meant to mention Helen Lott. Nick Hurran directed, presumably before Sue. Possibly Annette Martin, briefly, too. There wasn’t exactly a lot of scope for directors or camera operators; two cameras on each side and a wide angle in the middle!
During my stint, there was a dreadful family (stars of auditions we did in the Clifton something hotel in Bristol) that kept on winning. Of course, being supreme couch potatoes, Pearl and her family were utterly boring. Noel hated them and beseeched us to hit them with harder questions, but it was useless…’

Nick Harris: ‘Such a happy show – remember being paid as a researcher to literally watch TV for six months choosing clips. The longer you’d been there the better the series you got to watch. I started with Triangle and ended with Ab Fab! Then followed three months of auditions around the country. A sifting out the dopes. (One guy thought Noel was called Norman!) and then three months of studio. Two very happy years of my life – in fact I was reminiscing with Noel about exactly that a couple of weeks ago at Deal Or No Deal…’

Julian Hitchcock: ‘The name, of course, was extraordinary. Addiction was not the best thing for a government-funded broadcaster to paint in such a positive way, but King, who was not quite of this world (where does one begin?!) thought it was so good that he tried another series, simply called “Addicts”…’

Thea Harvey: ‘I was PA and worked with Tim, Richard, Helen, Marino, Andrea and, Nick Hurran now a famous (??!!) movie director. They were happy days and we used to have great Christmas lunches! ‘

Ann Gumbley Williams: ‘I worked as PA as we were called then on the pilot shows of Telly Addicts. I think it was first called Telly Quiz . Memories of who worked on the pilot show not good. I think it was Annette Martin who was the producer. Does anyone else remember? They took ages to get the format and edit at first. I didn’t do the programmes after it was commissioned. I was probably off having a baby!’

Lynn Cullimore: ‘I did work on one of the Addicts programmes with Claire Rayner at her house. I just stepped in as another Production Assistant was sick. I enjoyed the day filming at claire’s house – she was lovely and had made us all cake! Telly Addicts was very popular I remember and I did go to one of the shows – just as a member of the audience so i could show my husband what went on!’

Gail Herbert: ‘I was the copyright researcher on Telly Quiz. Producer was Bill Jones, Prod Sec Julie Whittaker, Studio Director Mike Derby. It was great fun doing that series. I then went to work as John King’s PA on Golden Oldies, etc.’

Charisma Keyboard

Charisma keyboard

Photo by Ian Collins, no reproduction without permission.

VT editor, Ian Collins, took a number of photographs of obsolete kit before the closure of Pebble Mill in 2004; this still of a Charisma keyboard among them. Charisma was a digital video effects machine which was de rigour in the late ’80s, early ’90s. It enabled complex video effects to be incorporated in programmes like ‘The Clothes Show’. In fact the style of series like ‘The Clothes Show’ were largely due to Charisma, and the skilled use of it by VT editors like Mike Bloore, who was awarded a craft BAFTA for his editing of the programme. I remember being really excited about using Charisma in VT edits, and thinking the effects looked really great. If anything it was used too much, and caused a reaction against multi-layered complex edits and effects and back towards straightforward cuts. Nowadays the effects look pretty dated. I also remember a funny story about an edit assistant, who shall remain nameless, going to a job interview and being asked about what he thought about Charisma. He replied that charisma was an important quality in a person, and meant that they could be inspirational to others etc. It was only later he realised that they were talking about the Charisma machine. I can’t remember if he got the job or not! The following comments were left on the Pebble Mill Facebook Group: Mike Workman: ‘As used by the Six O’Clock News in 1985 for headline transition wipes, what a machine – VizRT is not a patch on Charisma!’ Matthew Skill: ‘we had one in Newcastle BC, there’s a complete set of manuals down in the workshops in the basement of TVC. That’s all the info i have for now….’ Mike Workman: ‘there’s a few dotted around TVC that came out of the then N1/2 news studios when the News Spur opened in 1997’ Mike Skipper: ‘Their successor the Ten X was used up until about a year ago at TV Centre!’ Ian Collins: ‘Without this piece of kit, Clothes Show would not have been the success that it was.’ Jane Green: ‘Ian’s right. I remember racing back from the NEC Clothes Show Live 1992 with the rushes of the live show and using Charisma with VT at Pebble Mill to put the show montages together. The effects were groundbreaking at the time. Took the finished tapes back to Roger at the NEC for TX and everyone crowded round to watch and loved the Charisma transformation.’

Cool It

Photos and drawing from costume designer, Janice Rider, no reproduction without permission. The main photo is of Phil Cool performing a Rolf Harris sketch.

‘Cool It’ was a 1985 comedy series, presented by Phil Cool. It was directed in Studio A by David Weir, and produced at Pebble Mill by Steve Weddle. The script was written by Phil Cool, along with Jasper Carrott.

The following comments were left on the Pebble Mill Facebook group about ‘Cool It’:

Stuart Gandy: ‘It was the programmes he made at Pebble Mill that brought him to stardom.’

Lynda Kettle: ‘I remember this! Phil Cool was so stressed out spent ages pulling faces in the mirror! Needed a stiff drink!’

Denny Hodge: ‘I did the warm up on the show and Phil had the same manager as Jasper. Steve Weddell was the producer.’

Jane Green: ‘Oh crumbs I worked on this too. Must dig out the end of run photos. I playfully ‘punched’ Phil in the tummy as we joked about something. He then said he’d just had a hernia op. I laughed louder thinking it was a joke and then he said it was true. And it was. :-/ I was alone in a sound room with Jasper Carrott for this programme too, and Jasper just didn’t stop cracking jokes. My sides hurt from laughing. Great fun this programme. Loved it. I remember Denny’s audience warm ups – hysterical!!!’

Julian Hitchock: ‘I remember that Steve was very keen to give Phil Cool this opportunity. Now I hear nothing of him, or Steve, who I hope is well,- and haven’t seen Jaspar C for ages. As Jane said, he was hysterical and very clever indeed. Please come back, all of you.’

Milton Hainsworth – News film editor

Photo by Jim Gregory, no reproduction without permission.

The photo is of Pebble Mill, News film editor, Milton Hainsworth.

The following comments were left on the Pebble Mill Facebook Group:

Jonathan Dick: ‘Great pic! I remember Milton well, as he was on the board that gave me my first proper BBC job, as a Station Assistant at Pebble Mill in 1987’

Peter Poole: ‘Milton was a legend in news editing!’

Jane Green: ‘Loved Milton. He was my boss too in the newsroom. He tried very hard to be grumpy about everything – it was a challenge to make him smile but you could.’

Liz Munro: ‘Even though we barely overlapped at Pebble Mill, I remember the unforgettably named Milton with a personality to match…’

Maureen Carter: ‘Milton was THE editor to head for if you were arriving back late with the top story. My favourite Milton quote? Why’s a BBC film editor like a sheriff in the wild west? Because he clears up the s**t after the shooting.’

Lynn Cullimore: ‘Yes, I remember milton…such a character and I liked him.’