Pebble Mill at One titles from 1979

Titles sequence from the lunchtime magazine programme: Pebble Mill at One from 1979.

The following comments were left on the Pebble Mill Facebook page:

Jane Green: ‘The last PM@One!! Makes me sad 🙁 I was looking after Bob with the helicopters in the field. Couldn’t hear a darn thing – even with ear defenders on!’

Margaret Waine: ‘Oh what memories it brings back.’

Ann Gumbley-Williams: ‘What can I say!? ….,. My youth! My life! Nostalgia……! ? Counting out of titles…’

Jane Mclean: ‘God that music makes me cack myself!! Marian with the bike and think the sparks could be Keith Morton?’

Countryfile – Ken Pollock

 

Countryfile team

Countryfile team. Copyright resides with the original holder, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

 

Regarding Countryfile, it is fun to look at the photograph and recognise old friends/colleagues.
My involvement was to be a producer on Farming, with Martin Small, and Exec John Kenyon. We wanted to acknowledge the large “over the shoulder” audience we had on Farming, and hence wrote the brief for Countryfile. I remember it well, sitting in John Kenyon’s office sketching in the idea, and kicking around names. I came up with the Countryfile name, although we may have thought it should be two words…
Michael Grade, Controller BBC1 accepted the idea, the team went from 4 to 24, and the Countryfile bandwagon started rolling.
After poor Brain Strachan died, there was a vacancy on Top Gear, and John Kenyon told me to get some broader experience, before applying to run Countryfile. So I did, but they did not want me to run Countryfile, as I was supposedly too biased to the farming community and Mike Fitzgerald got the gig.
I stuck with Top Gear and the rest is history…

Ken Pollock

The following comments were left on the Pebble Mill Facebook page:

Patrick Flavelle: ‘I started on a rolling weekly contract working with Fitz surfacing potential stories at the fag end of Farming…led to working on the show for its first 11 years. Happy days and incredibly boozy Xmas do’s…the one after this photo was very messy!’

Mick Murphy: ‘3rd from right, 2nd row – Sue Lloyd, Director. 1st on the left, front row – Barry Paine, former BBC producer / wildlife narrator, who used to voice over some of our films. Girl behind Fitz is called Sarah…? Great picture. ‘

Jane McLean: ‘John Clarke on the left .. who I went to Russia and Siberia with for Countryfile in 1989. Should try & find the Russian pix. Talk about an eye opener. The director was Dick Colthurst (what happened to him?) and the crew was Nigel Davey, Barrie Foster, Keith Rodgerson and Andy Frizzell. We were force-fed vodka shots 24/7 – honestly! ‘

Pam Relton: ‘Dick is very successful Jane – he went to BBC Bristol after CountryFile and is now MD at Tigress Productions.’

Jane McLean: ‘Good on him. Never heard of Tigress Prods – am SO out of the loop these days re anything telly!’

Viv Ellis: ‘I recognise Yasmine O’Grady looking glam – as ever. I worked on Farming for a few months’

Roy Thompson: ‘Spent a very happy attachment to Countryfile from Wood Norton even getting to direct a piece on arts in rural communities. Very supportive and friendly team.’

Andrea Buffery: ‘This picture would look amazing next to the Countryfile team today. It consists of 30 plus people.’

Steve Johnson: ‘I worked on Countryside for a short time in mid nineties, arranged the filming of the brand new RSPB reserve at Conwy.’

Pam Relton: ‘As a real City girl, CountryFile opened my eyes to so many things. I remember my first shoot – in a battery hen farm, a barn the size of a hanger filled with chickens in cages no bigger than themselves, floor to ceiling, the noise!! I’ve not knowingly eaten anything other than free range, outdoor-reared produce since. I learned so much about the pressures on farmers and producers to comply with the big supermarkets. This was the great thing about working on programmes like this – that open up the issues to do with farming and the countryside to everyone.’

Jane McLean: ‘I was country born & bred Pam – my brother was a pig farmer – and I know exactly what you’re talking about from the other side! ‘

Vanessa Jackson, Good Morning with Anne and Nick

Vanessa Jackson

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

This is a photo of me, Vanessa Jackson, taken for the Pebble Mill Press Office, circa 1992. It was taken when I was a producer on Good Morning with Anne and Nick. I worked with Alex Fraser at the time on the VT inserts, and we commissioned Independent production companies to make the pre-recorded strands which went out on the magazine show.

Production co-ordinator, Gail Herbert gave me the photo, which she found in the basement of Pebble Mill, when the building was cleared prior to being demolished in 2004/5.

The following comments were left on the Pebble Mill Facebook page:

Alexandra Fraser: ‘Wow feels like yesterday and this gorgeous photo brings it all back!’

Jane Mclean: ‘Don’t look any different! Not sure what to say about it being found in the basement!’

Ruth Kiosses: ‘I’ll have you know all the very best people were in the basement at Pebble Mill!!!’

Steve Johnson: ‘I worked on Good Morning with Anne and Nick at the last series, looking after the ‘hotliner’ students.’

Phil Sidey Obituary

Phil Sidey (HoB) & John Wood (press officer). Copyright resides with the original holder.

Phil Sidey (HoB) & John Wood (press officer). Copyright resides with the original holder.

 

 

 

 

 

 

 

 

 

(Copyright resides with the original holder, no reproduction without permission. This obituary was published by The Independent in 2011.)

http://www.independent.co.uk/news/people/obituaries-phil-sidey-1579330.html

Obituaries: Phil Sidey by Leonard Miall

The Independent Saturday 22nd October 2011

 

As the Head of the BBC Network Production Centre at Birmingham, Phil Sidey was the man who converted Pebble Mill from a structural white elephant into a thriving source of daytime television. He was the first manager of Radio Leeds and played a leading role in establishing lively local broadcasting on a financial shoestring. He was a programme innovator with a spate of lively ideas and an abrasive tongue which tended to upset some of his colleagues. He was also an accomplished public speaker and a successful chairman of the Royal Television Society.

 

Sidey’s first experience of broadcasting was in Austria immediately after the Second World War. As a sergeant in the Royal Artillery he was in charge of the Army Broadcasting Station at Klagenfurt for three years. He then had a variety of journalistic posts including three years with the Associated Press before joining the BBC’s External News Service as a sub-editor in 1956. In 1963 he transferred to Television News, becoming a Duty Editor in 1964.

 

In 1966 Harold Wilson’s Labour government decided to inaugurate eight experimental local radio stations. They were only to broadcast on VHF and their meagre annual revenue of pounds 50,000 for each station had to cover staff salaries and all programme expenses. That sum was not to be a charge on either the BBC Licence income or the rates. It had to be found from other local sources.

 

In 1967 Sidey was selected to manage the new local radio station at Leeds. His application was a surprise, for many thought that he had abandoned radio for television, and he had no connections with the north of England. But he was ambitious to run his own operation and he feared he had made too many enemies in television news ever to reach its top position.

 

Sidey had a great flair for publicity, including self-publicity. In order to get the name of the experimental station regularly mentioned in the local press, albeit only on the sports page, he bought a greyhound and named in Radio Leeds. 24 Hours, the television magazine of which Sidey had been the news producer before moving to Leeds, sent a camera team to make a sequence about the programmes he planned to introduce. One was a record request show called Bring-a-Disc in which, because his library was limited, listeners had to bring their own records to be played. Sidey was filmed outside the door of Radio Leeds urging passers-by to come in with their favourite discs. The film was shown on the day the station opened in June 1968.

 

Sidey recruited a team of Yorkshire journalists to provide a valuable service of local news. The naĂŻve idea of the Government that provincial newspapers would gladly provide the new experimental radio stations with copies of the local news they had gathered for their own us had soon evaporated.

 

One of his innovations was The Only BBC Programme the Money Can Buy. Listeners would telephone the studio and demand a favour, promising in exchange to pay a sum of money to any charity of their choice. This worried the authorities in Broadcasting House, who feared it might upset the central scheme that ensured fairness among charity appeals. Another was Teenage Week, presented entirely by schoolchildren, which caused Sidey to be dubbed “Fagin” and accused of exploiting cheap child labour.

 

In 1969 Sidey wrote a memorable article for the New Statesman, then influential with Harold Wilson’s government, on making community radio effective. Frank Gillard, the former managing director of BBC Radio, said that Sidey’s points convinced the entire Labour hierarchy of the success of the BBC’s local radio experiment.

 

In a lovely book, Hello, Mrs Butterfield……, published last year, Sidey also told the story of Radio Leeds. He described in detail the work of creating cheap local radio. “The rediscovery of radio and infliction of new communication ideas on to the city of Leeds,” he declared, “was surrounded by so much good-humour and lively, not to say outrageous, behaviour, that the station soon became dubbed ‘Radio Irreverent’.”

 

Sidey’s own lively, not to say outrageous, behaviour caused him trouble with the authorities at Broadcasting House on various occasions. After Radio Leeds he worked as the Deputy Editor of Nationwide until 1972, when he became Head of the Network Production Centre at Birmingham.

 

The Pebble Mill complex, newly opened but planned some 10 years earlier and built at a cost of pound 8m, has a marble entrance hall with a vast glass foyer which is reached via a footbridge. But by the Seventies visitors mostly came by car and had to park at the back of the building. Sidey’s appointment coincided with the Government’s de-restriction of broadcasting hours and he seized the opportunity of putting Pebble Mill on the broadcasting map by offering to mount a live daily magazine from the idle space of the glass foyer. The London technicians had grave misgivings about the lighting and acoustics. But the difficulties were overcome, and Pebble Mill at One became the first important daily current affairs programme to be produced outside London for the BBC. Viewers were surprised to see elephants participating and studio guests arriving by parachute.

 

Sidey insisted that every new programme originating in Birmingham should carry the name Pebble Mill in its title. As his successor, David Waine, put it, “He had a deep belief in the importance of regional broadcasting being independent of London and he pursued that belief with an acerbic and occasionally wounding wit.” It was Sidey’s defiant independence of London that led to his premature retirement in 1983.

 

The Royal Television Society, founded in 1927, was originally a group of television enthusiasts intent on furthering this new scientific discovery. It consisted entirely of engineers. In 1978 Sidey was the first non-technician to be elected chairman. With the vigorous support of Sir Huw Weldon, who succeeded the Duke of Kent as President of the RTS in 1979, Sidey threw open the society’d doors to programme people and made it representative of the whole television industry.

 

Sidey was chairman of the RTS for four years, twice the normal span. His speech on the retirement of Wheldon included a translation of Madame de Pompadour’s word “ Apres nous le deluge” as “After us that shower takes over.”

 

Phil Sidey was a trim, athletic man who loved walking along the Pennine Way. Hw was on a walking tour of the Peak District at the time of his death.

 

Leonard Miall

 

Philip John Sidey, broadcaster: born London 11 January 1926; staff, BBC External Service News 1956-60, Teelvision News 1963-67; Station Manager, Radio Leeds 1967-70; Deputy Editor, Nationwide 1970-72; Head of Network Production Centre, Pebble Mill, Birmingham 1972-83; Chairman, Royal Television Society 1978-82; President, Birmingham Press Club 1979-81; author of Hello, Mrs Butterfield….1994; married 1951 Daphne Finn (two sons, one daughter): died Castleton, Derbyshire 15 October 1995.

 

The following comments were left on the Pebble Mill Facebook page:

Chris Marshall: ‘That is the most wonderful call to arms for regional broadcasting!’

Lynn Cullimore: ‘A great man indeed and i did not realise he had died. John Wood in the picture too. He was my wonderful boss at the Beeb when I worked in the Press Office. Typical John and Phil poses in the bar!’

Ian Wood: ‘Would that Birmingham had a Phil Sidey in the 21st century. He’d have had a thing or two to say about the draining of production at London’s behest.’

Jane Mclean: ‘Fabulous photo. I only just missed him at Radio Leeds but his legacy lived/lives on. A great man.’

Pete Simpkin: ‘Worked with Phil for a while at Leeds on attachment, he was full of the great gimmicks…I recall a world Gargling competition!’

 

 

 

Tom O’Connor Roadshow – Liverpool

TOR Liverpool Eleanor Rigby, John Couzens Melvyn Bragg JM After show TOR JM

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Photos by Jane Mclean, no reproduction without permission.

These photos are from the Tom O’Connor Roadshow winter/spring 1987. The roadshow was staged in each location for one week, these photos were taken in Liverpool, which was the last location on the run, in April 1987. The second photo is of cameraman John Couzens, seated on the Beatles’ Eleanor Rigby bench. The bottom two photos are from the after show party, which was obviously attended by Melvyn Bragg. Series producer, Steve Weddle, can just be seen popping up behind Melvyn Bragg.

The following comments were left on the Pebble Mill Facebook page:

Mary Sanchez: ‘Ok I was there and the girl on piano was Louise someone( can’t remember surname – producer ) and in first pic is a graphics girl (Liz?)( on the right ) and on the left is it Pam Creed? Sorry this is all I can offer! I have LOADS of pics , must dig them out!’

Steve Weddle: ‘The warm-up chap alongside Melvyn Bragg, weirdly enough, is called Bobby Bragg (no relation!) In fact Bobby became a bit of an on screen celebrity as Roadshow Reg, the pretend scene shifter, who’s catchphrase was, I’m not feeling very well Mr. O’Connor. We’d send him on stage whenever we were under running, which happened quite frequently. And as the series progressed his cameos with Tom became increasingly popular, so much so, that when I appeared on Open Air to discuss the Series the following week, it was Reg who joined me on the sofa there! Melvyn Bragg just happened to be in the vicinity of our end of series party in the Adelphi Hotel, Liverpool – unsurprisingly, he had nothing to do with the Show – but we invited him along anyway, and he graciously joined us for our knees up. I seem to remember I was dressed as a giant chicken at the time! I think that’s Pam by the old Roadshow Relay scoreboard, and Louise Stellakis is the researcher by the piano.’

Jane Mclean: ‘Just come to me! The audio supervisor Louise married was Paul Cunliffe.’