Here is a selection of photos from the Midlands Today reunion – entitled Midlands Yesterday, held on Saturday 3rd September 2016 at the Midlands Arts Centre. Thanks to Maureen Carter for sharing the photos.
“This is the console in studio 2. Studio 2 did more Big Band / studio music sessions and was multitrack. Studio 1 was more of an orchestral concert studio and had GP cababilities.”
Kath Shuttleworth
“It’s SSL 4000E, as Kath says in studio 2. I worked on them at Maida Vale, as a trainee we were told that it cost £2000 a channel! There was a similar desk in SCV6.”
Paul Hunt
“Ah… Studio 2 was my home from home…. So many memories…..”
Jane Ward
Photos by Martin Fenton, no reproduction without permission. Martin took these photos in 2003. Radio Studio 1 was the largest radio studio at Pebble Mill, and was also used for some television series in the latter years of Pebble Mill.
“Studio 1 was once a venue for glorious orchestral recordings, but by this point it had been deliberately priced out of the market (Abbey Road number 1 was cheaper) and was used for little more than Farming Today
The Neumann U47s , I was told were used at the insistence of Radio 3, when Studio 1 was regularly used for orchestral concerts.” [The mics may be Neumann U87s, see comment below from Andy Groves.]
Martin Fenton
(The Neumann U47s were condenser mics apparently well known for their clear sound. They were apparently the favourite mic of the Beatles manager, George Martin.)
The following comments were left on the Pebble Mill Facebook page:
Caroline Feldon Parsons: ‘Lots of happy memories doing programmes for Radio 3 in that studio. Everything from live Lunchtime Concerts to live drivetime programmes like In Tune, and lots of recorded chamber music. I did a fair bit of page-turning for pianists too!’
Chris Marshall: ‘Yes, it was really busy with Radio 3 programmes until the bizarre decisions around Producer Choice and bimedia put paid to that. Tony Wass could give lots of info on the technical stuff.’
Jane Ward: ‘Occasionally larger scale orchestral and brass band sessions for Radio 2 took place in there as well. I produced a fair number and, like Caroline, was involved in other ways before that, either page turning or acting as orchestral librarian before I became a producer… I arrived at Pebble Mill in February 1987 as the Music Assistant, a post which not only served Radios 2 & 3 but which ultimately extended to become a research and support service for the whole building.’
Andy Groves: ‘I think you will find the mics are a Neumann U87 rather than 47. Both fine microphones.’
Peter Trevena: ‘I think that the lamp is still working on Doctors‘
There were six heads of Pebble Mill during the building’s lifetime, although some were Heads of Network TV, rather than Head of Building. Their tenure seems to get progressively shorter. This information was taken from the BBC Written Archives in Caversham. They were:
Phil Sidey – 1972-82 Head of Building
David Waine – 1983-1992 Head of Building
Rod Natkiel – 1992-1998 Head of Network Television
Kate Marsh – 1998-2001
Paresh Solanki – 2001-2002
Tessa Finch – 2002- end of Pebble Mill
The following comments were left on the Pebble Mill Facebook page:
Lynne Cullimore: “My favourite is – Phil Sidey who put Pebble Mill on the map! and I liked David Waine who was a very nice man.”
Jane Upston: “I was there during David Waine’s tenure and part of Rod Natkiel’s. I worked in HR (was Jane Morgan then). The people I remember most though were Colin Adams and Jock Gallagher.”
Chris Marshall: “Agreed, David Waine was great to work for. Is that really Rod Natkiel? As for Kate Marsh…”
Carolyn Davies: “David Waine was one of the best ‘heads of’ anything I have ever met. Once you’d met him he always remembered your name and what you did and made a big effort to see those on the shop floor…..”
Dharmesh Rajput: “Wow – I thought there would be more… I started working in TV just end of 1998 whilst still working in radio and having done some work experience in Press & Publicity with Donald Steel’s team – so I remember Rod Natkiel from having to take press cuttings to his office. And then I was in TV and Online till the move to The Mailbox.”
Jane Ward: “Agree with Carolyn… David Waine was a great People Person…”
Viv Ellis: “I agree David Waine rocked. Lovely boss”
Sheila Brown sadly died on 14th April 2015, at the Queen Elizabeth Hospital, Birmingham. Sheila started work as a secretary in Personnel, and then later in the Press Office and PR department, organising visitor tours of Pebble Mill.
Sheila is shown in the right of this photograph, which was taken at the Friday Night at the Mill party in 2004. The party which marked the closing of the Pebble Mill building, prior to its demolition in 2005.
The following comments were left on the Pebble Mill Facebook page:
Andy Bentley: ‘Remember Shiela well, she received an MBE if I remember right. Lovely Lady.’
Malcolm Hickman: ‘We used to take parties around the Mill, including parties of staff newly arrived at Bush House. Sheila used to organise the catering and for some inexplicable reason, there was always one or two bottles of red wine left over. A very sweet lady and an accomplished ballroom dancer in her younger days.’
Jane Ward: ‘Wasn’t she a keen ballroom dancer?’
Conal O’Donnell: ‘I remember Sheila very well- quite mischievous on her way & always good fun .I am sorry to learn of her passing.’
Julian Hitchcock: ‘What a lovely, funny soul she was: her very memory brings a warm smile to all who knew her. I do hope she enjoyed her later years.’
Tim Manning: ‘I’m so sorry to hear the news about Sheila; she was – as others have said – a lovely lady, and someone who cared deeply about Pebble Mill. And yes, Jane Ward, she was a very keen and skilled ballroom dancer; when I was directing a film for The Golden Oldie Picture Show, she loaned me all her trophies and lots of memorabilia.’
Marie Phillips: ‘Sheila was very kind to me when CIN was regarded as something of a misfit in the Press Office. Very very efficient. A well deserved MBE.’
Andy Caddick: ‘We used to have long chats on the No1 bus on the way to Pebble Mill. So sad, lovely lady.’