Country Tracks

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Copyright resides with the original holder, no reproduction without permission.

Country Tracks was described as an offbeat countryside guide. There were several series of the show in the 1990s, with different presenters. These included Ray Mears and Pete McCarthy. The show had very high production values, and came out of John King’s department. Many of the team who worked on the series had come from The Clothes Show, like Kath Moore and Colette Foster.

I’m not sure which series of the show this titles grab is from.

Thanks to Ian Collins for sharing the grab.

The following comments were left on the Pebble Mill Facebook page:

Adam Trotman: ‘This was my first full on VT assistant job…. moving up the ranks to actually editing the later series…. was first called Tracks….. not sure why they added Country.’

Nicola Silk: ‘I directed on Country Tracks with Pete Mccarthy. title grab could be from 1998 or 1999 which was the last series. great programme to work on. It was under John King then later Andrew Thorman. The days when you never really saw the execs. no idea why they added the word Country either?’

Russell Parker: ‘I loved Pete McCarthy, was overjoyed to get to speak with him once, and cried like a girl when I heard he’d died.’

Robin Sunderland: ‘Always enjoyed shooting for tracks. Remember filming an owl once, on a very blustery day. Owner was reluctant to let it fly, but the director persuaded him. He let it go and the wind just carried it away ….we never saw it again! Oops!’

Walk on the Wildside

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Copyright resides with the original holder, no reproduction without permission.

This titles grab is from a factual wildlife programme made at Pebble Mill, and presented by Simon King. It probably dates from the 1990s.

Thanks to Ian Collins for making the grab available.

Adam Trotman added the following comment about Walk on the Wildside: ‘I was the assistant editor on it, Jonathan Birkett was the editor and Simon King was director, John King the Exec. It was BBC 2 I think, transmitted around tea time….I loved it as I got to do some editing as Jonathan had to dash as his wife had their first baby. By the way, Annie Jenkins did amazing graphics and animation for it well before CGI!’

Telly Addicts

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Copyright resides with the original holder, no reproduction without permission.

Thanks for VT editor, Ian Collins for making these grabs available.

Telly Addicts was a gameshow which went out between 1985 and 1998 on BBC1, with all the questions being based on television shows past or present. Most questions were introduced via clips. It came out of John King’s department, and was presented by Noel Edmonds. The format of the shows changed a bit over the years, and there were some celebrity versions and Christmas specials.  Usually there were two teams of four contestants, and a tournament structure which produced an overall winning team at the end of the series.

The show was recorded in Studio A.

The following comments were left on the Pebble Mill Facebook group:

Maria Needle: ‘Ah yes I was the production secretary on Telly Addicts, Sue Williams was the PA, Louis Robinson was the producer, Sue Robinson the Director I think. I learnt to drink on this show!’

Ruth Kiosses: ‘We did loads of light entertainment costumes for Telly Addicts either from Selly Oak stores or sent up from Wales Farm Road and ones that were made especially (usually at pretty late notice I recall?) Mr Blobby often arrived in a box for various of  Noel shows not sure whether he appeared on Telly Addicts?’

Clare Cotton: ‘Aghhh happy days! We had such a laugh making telly addicts-great production team, great characters one and all…’

Jane Green: ‘Noel always gave me a panic by arriving at the last minute in his helicopter but was always ready on set on time and wanted no special treatment. I once found him standing on a chair in his dressing room trying to get a signal on a new thing called a mobile phone. It was the size of a shoebox.’

Julian Hitchcock: ‘Like Jane, I floor managed it. I also directed it once on some sort of wheeze, and was a terrible Assistant Producer on the show. Richard Lewis was the producer, working with the very talented Louis Robinson as (correct me, Louis) AP cum scriptwriter. Marino Katchmaryck was the genius AP, who (unlike me,- who didn’t possess a TV and preferred books and radio) knew everything about every programme since the birth of Logie Baird. John King presided fatuously over all, assisted by Tim Manning. King’s slightly dubious interests in the supposed format rights helped my interest in intellectual property, which I’ve practiced for 17 years now.
In my view, the sycophancy displayed towards Edmonds, which he seemed to expect, probably contributed to the fatality on a different programme that he presented. Edmonds himself appeared to loathe the contestants. It was, however, very easy and very successful.’

Becky Rogers: ‘Worked on sadly the last series of the show in @ 1998 with Helen Hands (nee Lott) as producer, Sue Robinson as director, together with Nick Harris, Sarah Proctor, Kate Hillman, Simon Lupton, Dan sorry can’t remember surname…… Richard Lewis was exec producer. Happy memories – especially the celebrity edition featuring a very young Ant and Dec!! Left telly in 2000 for life in the lakes and the world of commercial radio. Got married last December and hubby surprised me with a personal video message from Noel during the speeches. Despite it being 14 years since I’d worked briefly with him, it was genuinely lovely of him to ‘share’ our day. Many many happy memories of my time at Pebble Mill!’

Julian Hitchcock: ‘I had no idea that it went on so long after I left in ’92. I meant to mention Helen Lott. Nick Hurran directed, presumably before Sue. Possibly Annette Martin, briefly, too. There wasn’t exactly a lot of scope for directors or camera operators; two cameras on each side and a wide angle in the middle!
During my stint, there was a dreadful family (stars of auditions we did in the Clifton something hotel in Bristol) that kept on winning. Of course, being supreme couch potatoes, Pearl and her family were utterly boring. Noel hated them and beseeched us to hit them with harder questions, but it was useless…’

Nick Harris: ‘Such a happy show – remember being paid as a researcher to literally watch TV for six months choosing clips. The longer you’d been there the better the series you got to watch. I started with Triangle and ended with Ab Fab! Then followed three months of auditions around the country. A sifting out the dopes. (One guy thought Noel was called Norman!) and then three months of studio. Two very happy years of my life – in fact I was reminiscing with Noel about exactly that a couple of weeks ago at Deal Or No Deal…’

Julian Hitchcock: ‘The name, of course, was extraordinary. Addiction was not the best thing for a government-funded broadcaster to paint in such a positive way, but King, who was not quite of this world (where does one begin?!) thought it was so good that he tried another series, simply called “Addicts”…’

Thea Harvey: ‘I was PA and worked with Tim, Richard, Helen, Marino, Andrea and, Nick Hurran now a famous (??!!) movie director. They were happy days and we used to have great Christmas lunches! ‘

Ann Gumbley Williams: ‘I worked as PA as we were called then on the pilot shows of Telly Addicts. I think it was first called Telly Quiz . Memories of who worked on the pilot show not good. I think it was Annette Martin who was the producer. Does anyone else remember? They took ages to get the format and edit at first. I didn’t do the programmes after it was commissioned. I was probably off having a baby!’

Lynn Cullimore: ‘I did work on one of the Addicts programmes with Claire Rayner at her house. I just stepped in as another Production Assistant was sick. I enjoyed the day filming at claire’s house – she was lovely and had made us all cake! Telly Addicts was very popular I remember and I did go to one of the shows – just as a member of the audience so i could show my husband what went on!’

Gail Herbert: ‘I was the copyright researcher on Telly Quiz. Producer was Bill Jones, Prod Sec Julie Whittaker, Studio Director Mike Derby. It was great fun doing that series. I then went to work as John King’s PA on Golden Oldies, etc.’

The Golden Oldie Picture Show – Janice Rider

Copyright Janice Rider, no reproduction without permission.

Janice Rider was a costume designer at BBC Pebble Mill, working on a range of different programmes, both drama, factual and entertainment.

These photos are from ‘The Golden Oldie Picture Show’ from 1986. The entertainment series consisted of music videos made for hit songs,which pre-dated the music video era.

The videos were linked by Dave Lee Travis.  John King was the executive producer.

Golden Oldie Picture Show – Living Doll

Photo by Gail Herbert, no reproduction without permission.

‘Golden Oldie Picture Show’ was an entertainment show, comprising of specially shot videos, recorded for hits which pre-dated the music video era.  The show was presented 7 linked by Radio 1 D.J., Dave Lee Travis.  It was produced by John King’s department at Pebble Mill between 1985-88.

The photo is of a shoot for the hit: ‘Living Doll’, written by Lionel Bart, and made famous by Cliff Richard in 1959.  I’m assuming that the photo is of someone ‘being’ Cliff Richard.