Julie Hill – What Was Pebble Mill?

Doctors – end of an era

On 14th November 2024, the final episode of the continuing drama, Doctors, was transmitted. Doctors began it’s life at BBC Pebble Mill, and moved, when the building was demolished, to a new site in Selly Oak, the ‘BBC Drama Village’ at the University of Birmingham.

Here are the comments from a few of people who worked on it, or had affection for it, taken from the Pebble Mill Facebook page:

Clive Payne: I’ll miss being in it as a supporting artist for 12 years plus. It’s a unique family unit and a great joy to be a tiny part of.

Janet Collins: Lovely to have two characters, Bev Dartnall & Carson Black in the last programme. A nice tribute to former producers.

Andy Bentley: I remember when it started and the last episode at Pebble Mill when they did the explosion. A lot of people cut there teeth on this, Emilia Clarke had her first TV appearance on it.

Julie Hill: Why did they kill off Doctors? I just cant believe the appalling decisions that continue to be made by the BBC going back to when they flogged off Pebble Mill without even a backward glance.

Caroline Feldon: You might be interested to know that in my current role as a psychotherapist I advised on some of the scripts for Jimmi. So I was involved from a distance. Sad to see it go.

Sue Robinson: I caught the last episode today by accident. My ears pricked up when I heard one of the characters was called Bev Dartnall. What a lovely tribute. I then watched the documentary afterwards and it was lovely to see both Dave Farline and Andy Payne on camera in the early days of Doctors. Fabulously talented people taken way too early. Well done Doctors for a great legacy and a reminder of a fantastic place I and many others had the privilege to work in.

James Patterson: To be fair, a great and underrated series. When it took over Studio A and other areas in the Crush bar it seemed like the Pebble Mill era had come to an end, but Doctors moved on to the Drama Village and thrived. Hope everyone is well and can find work.

Luisa Prosser: Having worked as a floor assistant at Pebble Mill, I was so excited to be in an episode and to know most of the crew. I’ll always remember Sally from make up, saying ‘Well, this is weird!’ Sad to see this programme come to an end.

Anne-Marie Palmer: When we finished derigging the Drama Village and getting rid of everything it felt like the final demise of Pebble Mill.

It was all so sad, it stated a type of bereavement.

When I watched yesterday I couldn’t stop crying, it was probably also the loss of Pebble Mill 20 years ago coming out as well, as this didn’t really come to an end we just moved premises.

The freelance world is a rocky road to walk (particularly currently) and some of my Doctors colleagues have taken the decision to retire, I have managed to get occasional work and every job I’ve been on my wider Doctors family has been there and we’ve all carried our Doctors (and Pebble Mill) ethics with us of making it a friendly atmosphere to work in. Everyone is important, everyone counts, we work better together.

Opening of BBC Club

This photo is from the opening of the new BBC Birmingham Club circa 1982. The original club at Pebble Mill was on the second floor of the office block. That become programme offices when the new Club building was built across the bridge over the Bourne Brook.

The photo includes:

Phil Sidey, Phil Thickett, cameraman (back row striped shirt), Gail Everett, PA (nee Herbert, back row, to the right of Sue), Brian Johnson next to Gail, Freddie Foster right, Stuart Miller (striped shirt), Peter Skinner, Assistant Accountant (extreme right middle row) Keith Jones, Building Engineering Services Manager, Colin Spears, Sue Robinson (front pink dress), Lesley Sleigh next to Sue.

Julie Hill added the following memory on the Pebble Mill Facebook page:

“Ah such happy memories of the BBC Club! I used to take the Minutes of the Club meetings for extra money! Remember the crazy squirrel who used to attack us on the bridge? Highlights include watching harrier jump jet land on the grass and the whole building shook. And being tasked with stopping Larry Grayson drink. I failed….”

Royal Navy helicopter landing at Pebble Mill

Photo by Keith Warrender, no reproduction without permission

Thanks to Keith Warrender for sharing this photo of a Royal Navy helicopter landing on the back lawn at Pebble Mill. This dates from the late 1970s. The landing would have been part of Pebble Mill at One, and was no doubt one of John Smith’s shows, as he had very good contacts with the military.

The following comments were left on the Pebble Mill Facebook page:

David Shute: ‘I often had the job of doing Hearts & Minds visits to the neighbours when we had noisy visitors expected. Great fun.’

Julie Hill: ‘I was at Pebble Mill then and we had harrier jump jets/ parachutes and all sorts of crazy stunts landing for Pebble Mill at One! Being told not to leave the BBC Club bar whilst the Harrier landed and took off went down very well! Oh happy days….’

Saturday Night at the Mill

Photos by Robin Sunderland, no reproduction without permission

These photos are from Saturday Night at the Mill, an entertainment magazine show, from the foyer studio. It was transmitted between 1976-81. Roy Ronnie was the producer, and Roy Norton the director. Bob Langley, Donny MacLeod and Kenny Ball and his Jazzmen welcomed a variety of guests. The cameramen in the second photo are Phil Wilson and Doug Smith.

Thanks to cameraman Robin Sunderland for taking and sharing the photos.

The following comments were left on the Pebble Mill Facebook page:

Annie Gumbley: ‘I was Roy Ronnie’s Secretary & had my training for PA from Liz Silver who worked on the series. Keith Ackrill and Tricia Sadiq (Mifflin) were part of the team too. I did about about 4 or 5 series to the finish. What memories.’

Julie Hill: ‘I remember Saturday Night at The Mill! Penny Arcatinis and I were entrusted with serving the wine to the general public.’

Chris Rogers: ‘A fab show used to watch it all the time great guests, and presenters.’

Producer Choice Explained

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This article was published in the Midlands News, the internal newsletter, in June 1992. Roger Waugh, the Head of Resources sets out to explain the principles behind, Director General, John Birt’s ‘Producer Choice’.

‘Producer Choice’ split off the Resource departments from Production, and resulted in mass redundancies in Resources. Redundancies are hinted at in this article, but the position wasn’t clear in 1992.

Thanks for Stuart Gandy for sharing this edition of Midlands News.

The following comments were left on the Pebble Mill Facebook page:

Carolyn Davies: ‘Still commonly used in inverted commas to mean ‘complete disaster’…’

Malcolm Hickman: ‘I remember I had to establish each business units’ asset size so they could be charged. A mammoth task.’

Mark Holdstock: ‘I couldn’t decide who was the worse DG. Birt or Mark Thompson producer choice was a completely stupid idea. When they started charging for record loans, we quickly worked out that it was much cheaper to pop into town to HMV and buy the disc.’

Steve Peacock: ‘Idiotic and divisive policy. Decimated the craft base and did us producers no favours at all.’

Caroline Feldon Parsons: ‘Producer Choice. Leading to much less actual sensible choice than a producer had before it was implemented. Lovely.’

Julia Versluis: ‘Until you had to pay for a service and discover it was three times more expensive this way.’

Julie Hill: ‘I jumped ship before that hideous “initiative” was enforced. Lost out on any redundancy though!’

Vicky King: ‘I remember it well, working in HR, one of the biggest change programmes I’ve worked on.’

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