It was good to watch a recent repeat of ‘Kate Bush at the BBC’. It featured her singing on Saturday Night at the Mill. I was secretary to Roy Ronnie and Roy Norton from 1976-1980 and she had to dictate the words of her song, which I took down in shorthand. I remember her singing it softly to me. She was fascinated by shorthand!
Happy days sharing an office with the two Roys, Keith Ackrill, Patricia Mifflin and Liz Silver.
Linda Moffat
The photos are from a Top Gear shoot about potential damage to a person’s head if involved in a high speed accident when not wearing a seat belt. The melon seen on some of the pictures was, medical specialists said, a good representation of the human skull. This segment used a high-speed film camera, with the principal photographer being John Williams, and Nigel Davey operating the camera. The item was recorded in the grounds of Pebble Mill.
Photos by Andy Woodhouse, no reproduction without permission.
Picture shows a rehearsal for capturing the moving head/melon. John Williams is second from left, Nigel Davey on camera.
Picture shows the fall of the melon from a two storey roof being recorded. Note the use of the coat to ensure the same melon could be used throughout until allowed to hit the ground.
Picture shows a discussion about the shoot process. John Williams is second from left, Keith Ackrill is fourth from left
Picture illustrates the impact of the melon on a hard object!
Photos by Robin Sunderland, no reproduction without permission
These photos are from Saturday Night at the Mill, an entertainment magazine show, from the foyer studio. It was transmitted between 1976-81. Roy Ronnie was the producer, and Roy Norton the director. Bob Langley, Donny MacLeod and Kenny Ball and his Jazzmen welcomed a variety of guests. The cameramen in the second photo are Phil Wilson and Doug Smith.
Thanks to cameraman Robin Sunderland for taking and sharing the photos.
The following comments were left on the Pebble Mill Facebook page:
Annie Gumbley: ‘I was Roy Ronnie’s Secretary & had my training for PA from Liz Silver who worked on the series. Keith Ackrill and Tricia Sadiq (Mifflin) were part of the team too. I did about about 4 or 5 series to the finish. What memories.’
Julie Hill: ‘I remember Saturday Night at The Mill! Penny Arcatinis and I were entrusted with serving the wine to the general public.’
Chris Rogers: ‘A fab show used to watch it all the time great guests, and presenters.’
Photographs from Andy Stowe, no reproduction without permission
Thanks to Andy Stowe and Malcolm Hickman for this tale from Pebble Mill:
Andy’s father, Pat Stowe, supervised the team of glaziers called in to install a replacement window at Pebble Mill in the late 1970’s. As you can see from the photo, it was a huge piece of glass, in the corridor outside Studio A!
Ray Lee added a comment about the cause of the broken glass:
“The incident I remember, was after a Saturday Night at the Mill, which I worked on. There was an item involving Paratroupers landing on the lawn and the Lighting TM had two large lights shining through the windows to illuminate the area. He checked regularly to make sure the windows were not getting hot, and all seemed well.
The program went well, and all the lights were turned off. That night was a very cold night with a sharp frost. At about 3am there was a loud bang heard by security. The thermal stress had proved too much and both windows that had been warmed cracked. A plastic film was applied to the cracked windows to prevent them falling out while replacement glass was arranged, which had to be imported as a special order as the size was too big for any UK Float Glass company.
The cracked windows were there several months before they were replaced, and when they were, it featured as an item on Pebble Mill at One. When the windows were replaced, the top edge needed an extra wide section of “putty” as the glass was about half an inch short of the top frame! I was there on the day they were put in as well, and remember seeing the gap at the top of the glass before the extra “putty” was applied.”
Malcolm Hickman remembers the incident well:
“I was watching as they removed the old glass. They attached these big suckers to it, took all the trim off and started pulling with the crane. It refused to budge, so one of the men claimed onto the frame that had the suckers mounted on it and started bashing the glass around the edges with a big rubber mallet. It came out in 3 big pieces.”
“No hard hats or safety gear. That would have been my dad!” (Andy Stowe)
The following comments were left on the Pebble Mill Facebook page:
Herbie Donnelly: ‘I believe the light didn’t fall over but was placed too close to the window. Its purpose being to live alone for parachutists to see it as they jumped in on Saturday Night At The Mill. The subsequent heat caused the glass to crack.’
Jayne Savage: ‘ I thought the safety film went on after the Birmingham bombings and because of threats to the building but maybe it was this incident.’
Richard Stevenson: ‘Many happy hours sat by those windows in the days when tea breaks were part of the drama schedule and as the trainee, you were dispatched with loose change from the camera crew to get the tea in at the time of the allotted break.’
Keith Ackrill: ‘I also think the film was added to avoid splinters after an explosion. I also believe the light was too close to the glass, but not as a guide for parachutist. I believe it was for some routine to be shot there, and the lamp was left there too long. I cannot recall any parachutist landing on the lawn after dark.’
Here is a selection of photos from the Midlands Today reunion – entitled Midlands Yesterday, held on Saturday 3rd September 2016 at the Midlands Arts Centre. Thanks to Maureen Carter for sharing the photos.
Anita Bhalla, Sue Beardsmore
Ann Gumbley Williams, Jim Knights
Sally Morris and Ann Banks
Jane Ward, Mary Sanchez, Kay Alexander
Maurice Blisson
Pete Shannon, Gary Hudson
Pete Shannon, Maureen Carter
Richard Uridge
Rick Thompson and Gill Thompson
Rick Thompson, Pete Shannon, Jim Knights, Maureen Carter, Cathy Houghton,
Roz Gower and Mike Wilkie
Tony Francis and Roy Saatchi
Sue Beardsmore, Maureen Carter
? and Keith Ackrill
Brian Conway, Kathy Rochford, Sally Morris
Bob Sinkinson, Frances Coverdale, Mike Wilkie, Jim Knights
Gary Hudson and Mark Readman
