Keith Brook – Page 2 – What Was Pebble Mill?

Filming at the canal

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This photo probably dates from the mid 1960s, and shows filming at the canal with a Arriflex 16mm film camera.

The photo was originally posted on the Pebble Mill Engineers’ Facebook group.

Would this have been for news pictures, or a hobby film? Please post a comment if you can add more information.

Thanks to Stuart Gandy for allowing the photo to be shared.

The following comments were left on the Pebble Mill Facebook page:

Malcolm Hickman: ‘Looks like the Worcester Bar at Gas Street Basin. You can see Stanier House and the Town Hall in the distance. No Alpha tower or Central TV. Looks like he has a sound recorder over his shoulder, but I can’t see a mic. Probably professional.’

Jim Knights: ‘Hazard a guess at freelance cameraman from Midlands Today. Certainly a mute cameraman as Arri 16 has no sound box. Could be Ed Mullis? Mid 60’s when I arrived in Broad st news , he was one of 3… Charlie Moody.. Derek Johnston and Ed Mullis. I stand corrected if wrong!’

Keith Brook: ‘I think that’s the battery pack over his shoulder. Years before belt packs.’

Malcolm Hickman: ‘Weren’t those Arris clockwork?’

Steve Saunderson: ‘It’s an Arri ST and it is the battery strap over his shoulder. As Jim says, it’s a mute camera 100 foot loading ( 2mins 30secs at 25fps ) and you can see the battery lead going to the back of the camera.’

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Nanny – Goats and Tigers

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This is the cast and crew list, and scene breakdown for one of the episodes (Goats and Tigers) of the drama series, Nanny, starring Wendy Craig. The episode was transmitted in February 1981 on BBC1. It was a London production, hosted at Pebble Mill, and recorded in Studio A.

The pages have been shared by costume assistant, Rachel Selby. It is interesting to see her hand written notes on the sheets, and the crossing through, when the scene had been completed.

The following comments were left on the Pebble Mill Facebook page:

Lesley Weaver: ‘Wonderful time for me as a Make up lady and I was lucky enough to work on all three series.’

Susan Astle: ‘Wendy was such a great person, all us make up ladies loved working with her.’

Chris Rogers: ‘I loved this series it has never been repeated on other channels? Wendy Craig is fabulous.’

Raymond Lee: ‘Never worked directly on the series but remember vividly showing Wendy Craig how to use the canteen coffee/tea machine!!’

Keith Brook: ‘Oh, that brings back memories. What a wonderful series to work on.’

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CMCR9 Reconstruction

Photographs from John Ellis, copyright resides with the original holder, no reproduction without permission.

Here are some photos from the reconstruction last week (May 17-19th 2016) of the restored outside broadcast truck, CMCR9 (Pebble Mill’s original CM1, and later Manchester’s North3). The shoot was organised by Royal Holloway, University of London’s, ADAPT project. The project is staging reconstructions with different pieces of now defunct television production equipment. The outside broadcast is by far the most ambitious reconstruction yet. The recreation was of a darts match. There were obvious some technical issues to be tackled – but the broadcast was a success.

The OB truck was restored by enthusiast, Steve Harris.

The following comments were left on the Pebble Mill Facebook page:

Keith Brook (Scouse): ‘Oh, great to see some of the old cameras. Worked on all of those. The Emmy was by far the best studio and OB camera in its time. But the Pye/Phillips LDK3 (if my memory serves me well) was great for golf because you could choose which colour to look at. White ball on dark sky. Oops, just given a secret away!’

Marty Johnston: ‘Keith, you’re absolutely right about the LDK and how we had the output of the ‘red’ tube fed to the ext. V/F. That was a well kept secret until now! Also, I fully agree that the 2001 was the best all-round camera. It was often described as a ‘cameraman’s camera’. The only time I didn’t like the EMIs was when we had to carry them!’

Keith Brook: ‘Marty, you’ve just admitted another secret. If the Emmy was too heavy, it’s because you carried it with the lens still inside!! Tut, tut. However, we all did it to save time on the derig and get to the pub/club!!’

Multicultural Programmes from BBC Birmingham

Photo by Lynda Kettle, described as ‘Asian Music and Dance

Here is a list of some of the multicultural programmes produced at BBC Birmingham, from before and during the Pebble Mill period. The list is included in a document housed in the BBC Written Archives at Caversham.

Apna Hi Ghar Samajhiye

(Make Yourself at Home) Radio – Home Service 1965

http://genome.ch.bbc.co.uk/0d248bbb13934a6293989ac1744ede8b

Made at Gosta Green and introduced by Aley Hasan

Nai Zindagi-Naya Jeevan

http://genome.ch.bbc.co.uk/799760c890544c27a9f408fafcd77784

BBC1 Sunday morning programme (late 1960s-early 1970s) which is roughly translated as ‘New Life’ (ran for 14 years)

Gharbar

http://genome.ch.bbc.co.uk/17f97d1ad04e484e9d403bfb27004555

BBC1&2, Women’s magazine show, transmitted on Wednesday mornings from 1977-87

Asian Magazine

BBC1 Sunday mornings 1983-87

http://genome.ch.bbc.co.uk/f3b01c62804743388df183a729484ef3

New Life and Gharbar then became one programme in the early 1980s, called Asian Magazine, which then became Network East

Network East

BBC1&2 Saturday afternoons and Sunday mornings (1987-2003)

http://genome.ch.bbc.co.uk/c0918d9079d8460488d012c3c1d7e000

Ebony

http://genome.ch.bbc.co.uk/34a20f1624ad4a57bc6873ca1f0c3c6b

BBC2, 1983-1990, Afro-Carribean Magazine

Behind the Beat

http://genome.ch.bbc.co.uk/a05e0e41e87c4754a00599de8a0c3fba

BBC2, 1988-9, Music Programme

The following comments were left on the Pebble Mill Facebook page:

Keith Brook (aka Scouse):”‘Nai Zindagi-Naya Jeevan’ was the Urdu and Hindi for ‘New Way -New Life’ but was generically called ‘New Life’. It wasn’t renamed, it stayed like that into the 80s.

I worked on it as a cameraman, of course, but I also did a year or so directing it.

It was great fun, if a little disorganised. Getting everyone from our side into the studio was a little like herding cats.

Still, the real upside was that Ashok Rampal, Saleem Shahed and Mahendra Kaul and I were frequently invited to Indian and Pakistani houses for ‘real’ curries. Absolutely delicious!!

The best one was Madhur Jaffrey’s rather swish place. Best food of all!!

Still, I got a lot of pleasure out of it because it was a programme FOR Asians rather than about. At that time there were many elderly relatives who couldn’t speak English and it was their half hour of entertainment. For that reason alone, it was a delight.

I had the same feeling of fulfillment when I did a stretch on Open University. There wasn’t a big audience for each course, but every programme had an RI of 100%.

Still, every programme we did in Pebble Ill was fulfilling and it was a joy to work with such talented people.”

Terry Barker: “I worked for Nahrendra Morar as his PA from 92 to 94 and remember the diversity of programmes that came out of the multicultural department then. Charles Bruce and Farah Durrani made some terrific documentaries. Had a great time.”

Bridget Catherine Vaughan: “My first staff post, after 2 years of “temping” was in Asian Unit with Lisa Sommerville, Chris Hardman, Jayne Savage…..fab time”

Simon Edwards: “I recall working as camera assistant on the titles (on 16mm) for a programme called “All Black”. Not sure if that was a working title but it would have been early 90’s. We shot some of it in the studio at the Mill and then locations in London. Chris Weaver was the lighting cameraman and Wilfred E-J directed it.”

Keith Brook: “‘Nai Zindagi-Naya Jeevan’ was the Urdu and Hindi for ‘New Way -New Life’ but was generically called ‘New Life’. It wasn’t renamed, it stayed like that into the 80s.

I worked on it as a cameraman, of course, but I also did a year or so directing it.

It was great fun, if a little disorganised. Getting everyone from our side into the studio was a little like herding cats.

Still, the real upside was that Ashok Rampal, Saleem Shahed and Mahendra Kaul and I were frequently invited to Indian and Pakistani houses for ‘real’ curries. Absolutely delicious!!

The best one was Madhur Jaffrey’s rather swish place. Best food of all!!

I had the same feeling of fulfillment when I did a stretch on Open University. There wasn’t a big audience for each course, but every programme had an RI of 100%.

Every programme we did in Pebble Milll was fulfilling and it was a joy to work with such talented people.”

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GTC Award to Pebble Mill Camera Department

Copyright resides with the original holders no reproduction without permission

This was the presentation of the GTC’s (Guild of Television Camermen) TiCA (Television Cameraman’s Award) to the Pebble Mill camera department for Pebble Mill at One circa 1979.

The names are as follows:

Back (L to R): Doug Smith, Robin Sunderland, Bob Meikle, Don Cooper, Paul Woolston, Tony Wigley, Phil Wilson, Mike Solomons (GTC Chairman from Thames TV), Brian Cave, Jim Gray, Bob Hubbard, Chris Allen, not sure (perhaps Phil Sidey?), Jack Rooke, Keith Salmon, Dave Lawson, Dave Doogood, Dave Wilkins, Pete Edwards, Tim Konewko, Bhasker Solanki.

Kneeling down (L to R): Barrie Foster, Keith ‘Scouse’ Brook, Roger Mulliner, Dave Ballantyne, John Couzens, Eric Wise

(Thanks to James French for providing the names, Annie Gumbley Williams for sending me the photo and to Roger Mulliner for sharing it in the first place).

The following comments were left on the Pebble Mill Facebook page:

Richard Stevenson: ‘That is an amazing picture! I have never seen so many cameramen in ties! Brilliant.’

Lynn Cullimore: ‘They all look so young and thats because they were – then. hah.’

Bob Bishop: ‘There are no women in the photograph, would that be the same today.’

Keith Brook (Scouse): ‘We were told to dress up by management. Bhaskar Solanki, far right (physically, not politically) went on to be a very, very successful news cameraman and is now a senior producer. Good for him!! I should also mention that I’m the only one wearing a waistcoat. Even then, standards were sloppy!!’