Tag: Peter Poole

Strange Events at Pebble Mill – blog by Peter Poole

Archers' Studio, circa 1971

photo by Philip Morgan

This event was told to me about Radio Studio 3. This was the drama studio made famous by ‘The Archers’. One morning when the studio door was unlocked it would not fully open. This was due to several chairs that had been pushed against the door from the inside. This door was the only entrance so it’s a mystery how this happened. This may be a tall story told to new BBC staff. I can’t remember who told me. Has anyone else heard this story? I found another story about this studio on this website http://www.unexplained-mysteries.com/forum/index.php?showtopic=4602 .

This other event happened to me. It was the late 1970s and I was working alone one evening in the dubbing theatre. A little later Brian Telford came in with a tape recorded earlier in a village church. This was a recording of organ music for The Archers. The tape had a high frequency noise on it. Brian wanted to filter this noise using the dubbing theatre’s graphic equaliser. As we listened a very loud crash could be heard when the music had finished. But it sounded very strange, as if it was backwards. I played the tape backwards and the sound of a large door being slammed shut was heard. Brian said he was unaware of any such sound when the recording was made. I can’t remember what happened to the tape or if any investigations followed this event. The high frequency noise was probably due to RF induction. That is the microphone cable acting as an aerial and picking up a signal from a radio transmitter. If the church was near to the Droitwich transmitter  this could happen. Maybe Brian faked the tape and it was all a practical joke. If this was the case he did a great job. But I feel this was unlikely. I’m very sceptical about the paranormal but can’t explain how this backwards door slam was recorded. Anyone have any ideas?

Peter Poole
(It is Roger Slater being the spot operator, knocking on the door, in the background of the Archers’ Studio photo)

Nagra – photos by Ian Collins

Photos by Ian Collins, no reproduction without permission.

Video editor Ian Collins took photos of various pieces of post-production technical kit before the fixtures and fittings of Pebble Mill were sold off in auction in Autumn 2004.

These photos are of a Nagra audio recorder. They were used in the PSC (portable single camera) edit suites until the 1990s. They were very rugged and reliable.

Please add a comment if you can add information about how the Nagras were used.

 

 

 

The following comment was made by recordist Murray Clarke about location Nagras: ‘Of course the Nagra 3 and 4s were the standard sound recording machine for location recordists for many many years before DAT became more common. I bought my mono Nagra 3 in 1971 for a cost of around £3200. I took it up to Yorkshire for a couple of episodes of all Creatures Great and Small – and it rained solidly for a fortnight!!!. My ‘over-qualified’ boom op and assistant was Dave Baumber, then the Dubbing Mixer at the newly-built Pebble Mill studios.’

Christopher Hall adds the following information: ‘This is a Nagra T. T for twin capstan. They had a computer controlled synchroniser which could chase timecode from the VT machine in an edit suite at high speed. I went on a factory course for these in the late 1980s. We spent a whole day learning how to repair the motors, and when we asked how long they usually lasted for a discussion in French and German revealed that they didn’t know because none had stopped yet!’

Paul Vanezis: ‘I tracklayed 10 episodes of ‘Chalkface’ and 8 episodes of ‘Specials’ on a Nagra T…’

Peter Poole: ‘This must be the finest tape recorder ever made. I spent ages trying to get film unit to buy one for the transfer suite. It never happened. But after seeing the price I could see why!’

Pete Simpkin: ‘Totally agree with you Peter……I used one to great effect recording a nightingale for a Radio Birmingham programme in the 70s. The standard reporter’s Uher was not up to the job and the simple version Nagra gave level control, mixing of two mics AND ‘off tape’ monitoring!’

New Year Opt-Out – Peter Poole

Peter Poole

 

 

 

 

 

 

 

 

 

 

 

Photo by Peter Poole, no reproduction without permission.

This programme was probably broadcast sometime in the 1990’s. I think it may have been to celebrate the start of Birmingham City of Music or some other event. This programme was not listed in The Radio Times or any other TV listings. Viewers watching BBC1 Midlands at midnight would have expected to see Big Ben ringing in the new year. The normal London epic was replaced with a live OB from Birmingham city centre. I was the studio sound supervisor and the studio presenter was probably Sue Beardsmore. I wish I could remember the rest of team. The OB unit was the News Rover with 2 cameras. A camera was placed on Pebble Mill’s roof to give views of the city skyline. The programme was on air for about 15 minutes. If anyone worked on this I would welcome their comments.
Peter Poole

David Stevens, Midlands Today and the self opt

This blog is made up from comments from various contributors on the Pebble Mill Facebook page.

‘David was one of a team of Announcers who in the 70s became both TV and Radio broadcasters reading the radio and TV bulletins and also operating the local TV continuity desks. For a glorious time in the 70s all the Regions had one of these self operated desks, originally placed in the news studios but eventually in their own little cubby hole but using a studio camera wheeled into place after the regional news programme had finished. They shadowed the London announcers doing their own sound and vision mixing ……in vision…… and could call up captions, slides and even telecine.  So the entire evening looked as if it were coming from Pebble Mill. The team consisted of David, Guy Thomas and others and seemed to be a great success.’ (Pete Simpkin)

‘David was always a delight to work with. Many years ago when BBC 1 closed down at the end of the day’s broadcast the Regions would opt out to say goodnight. David was famous for these opt outs and would often show photos from local photographic clubs. One time this opt out carried on after the other had Regions had closed down. The transmitters had a system called RBS. If the line feed failed, the RBS would rebroadcast an off signal, signal from the nearest transmitter. This resulted in all the transmitters switching back on and broadcasting David across the UK!’ (Peter Poole)

‘On the subject of RBS, assuming the tx’s of that era weren’t still being shut off manually at the end of the day (it’s quite possible that the main stations were still manned during operational hours in those days). It would likely be that only stations north of Sutton would carry this extended programme, as the RBS system was designed to work from London outwards it would be unlikely that any transmitters south of Birmingham would’ve stayed on as they would be RBSing from sites in the south, which would likely to have been fed from different regions. The network was strictly one way, a fully meshed configuration would have been a nightmare.’ (Andy Marriott)

‘As an engineer in the Communications Centre on the late shift, I would see David come in around 23:30 and load all his slides from local photographers into the slide scanner for his closedown news bulletin. Depending on how many slides he loaded determined how late we would have to stay!

We would do checks with him from the self op desk to make sure his mic and camera were working ok and then ‘opt him in’ (that is, change the route of BBC 1 Network (from London) from going directly to the transmitters to going via his self opt desk so that when he was cued via Network t/b, he could switch his own output to the transmitters instead of that from London Network)….sometimes there were a lot of slides!
When he had finished, we could put the Network feed back to the transmitters and go home.’ (Brian Johnson)

Contributions from Peter Poole, Pete Simpkin, Andy Marriott and Brian Johnson, and photo supplied by Annie Gumbley Williams

Studio C Gallery – photos by Peter Poole



Photos by Peter Poole, no reproduction without permission.

These photos show Studio C vision control and lighting desk (photo 1), vision mixer (photo 2), and production desk (photo 3).

The main use of this gallery was working with the foyer studio area. ‘Pebble Mill at One’ and ‘Good Morning with Anne and Nick’ were broadcast live from the foyer.

Peter Poole