Tag: Peter Poole

Andrew Godsall – Film Transfer – photos by Peter Poole



Photos by Peter Poole, no reproduction without permission.

I took these photos about 1980. I worked with Andrew in the Dubbing Theatre and Film Transfer Suite. He later became a Studio Manager at The World Service. Then he became a Radio Producer working at Bush House and Broadcasting House. After leaving the BBC he was ordained. He is now the Canon Chancellor at Exeter Cathedral.

Peter Poole

Regional TV Presentation Studio – Peter Poole

Photos by Peter Poole, no reproduction without permission. I took these photos in 2003. They show the self-opt presentation studio which was operated by the news reader. They could opt out of the network programme and switch all the Midlands transmitters to enable a regional news bulletin. With the increasing number of regional bulletins during the Breakfast programme a dedicated production gallery was installed. This freed the news reader from any equipment operation. The gallery enabled video reports to be played and was operated by the director. This area also housed the computer graphics equipment. This was used for the weather maps.

Peter Poole

Stuart Gandy adds the following information: ‘In 1991 there was a project to make the presentation studios in all the regions stereo and included a new self op desk that the presenters used in the studio itself. At Pebble Mill though it was decided to build a gallery for the pres studio as well, that could be used to direct the shorter bulletins from instead of using the main gallery, so needing less people. Hence this was built with a tiny budget. The far end of the gallery here was where the news paintbox was located that was used to produce at very short notice, the graphics for Midlands Today.’

Pete Simpkin remembers visiting the self opt desk: ‘I remember visiting the late David Stevens at work in the self op days and noticed he sat on phone directories as he was a little short to be correctly framed by the locked off camera.’

Mary Sanchez remembers working in the Regional news gallery, ‘ I remember gallery B very well- worked from there for years- vision mixing and directing Midlands Today and Midlands at Westminster etc … Many happy ( and lots of scary!) memories! Self opt desk at 6am – hilarious with carol , sheila and Mandy ….!!’

Roz Gower remembers, ‘the terrifying experience of directing and vision mixing Mids Today! Did the gallery really look that tatty? And the monitor stack looks positively Heath Robinson! But in spite of the gut wrenching nerves it was somehow all great fun.’

Refurbished Film Sound Transfer Suite – Peter Poole




Photos copyright Peter Poole, no reproduction without permission.

These photos from the early 1990s, show the Film Sound Transfer Suite which was a very busy area. Its main use was to transfer audio tapes to SEPMAG. The tapes were recorded on a Nagra tape recorder together with a pilot tone signal. This was needed to ensure that the audio was synchronous with the picture. At a latter time a DAT recorder with time code replaced the Nagra. The Transfer Suite also housed a collection of “Library  Music”. These discs were produced for TV and radio programmes and not commercially available. They had interesting titles such as “Links Bridges and Stings”. A full collection of BBC sound effects were also available.

Peter Poole

Studio A Sound Desk – Peter Poole

Studio A Sound Desk
I took these photos about 1980. They show the Neve sound desk fitted with 48 channels. This enabled complex sound mixing for live and recorded programmes. Many drama and light entertainment programmes were produced in Studio A. They include ‘Howard’s Way’, ‘All Creatures Great and Small’ and many other dramas. Light entertainment  programmes include ‘Telly Addicts’, ‘Call My Bluff’ and the final series of ‘Pebble Mill at One’.
In 1997 a major refurbishment of Studio A started at a cost of £2.2 million.  The studio reopened in 1998 with vision and sound facilities which compered with the very best in the country. The new sound desk was a 60 channel Calrec Q series. However a few years later the studio was closed. This followed a decision by BBC senior management.
I visited Pebble Mill shortly after it’s closure. The studio doors were padlocked but I was able to have a look in the gallery. The new installation was superb. This together with Pebble Mill’s talented crews should have kept Studio A very busy. It’s such a shame that it closed after so little use.
Peter Poole

Film Sound Transfer Suite – Peter Poole

The Film Sound Transfer Suite
I took the first photo in 1976 shortly after joining the BBC. It shows me (Peter Poole) in the dubbing theatre’s machine room which housed the Perfectone SEPMAG bays. It was also used as the film sound transfer suite when time allowed. As the the number of programmes produced on film increased the dubbing theatre was in constant use. Also a dedicated transfer suite was needed to cope with the increased output. The second photo was taken in 1978 and shows me (Peter Poole) in the new transfer suite. The BBC’s policy was to buy British equipment if possible. This  resulted in Pebble Mill being the first and probably the only BBC broadcast centre to buy PAG SEPMAG bays. They were somewhat unreliable. I will never forget pressing the stop button and watching a thousand feet of SEPMAG film being thrown across the room. I was very pleased when the PAG bays were replaced by Perfectone bays.
The photos were taken using a tripod and self-timer.
Peter Poole