Barrie Edgar 1919-2012

Barrie Edgar taken in July 2010

Barrie Edgar in July 2010

 

 

 

 

 

 

 

 

 

 

 

 

 

Barrie Edgar sadly died recently aged 93.

Barrie was closely associated with BBC Birmingham since the very early days of radio broadcasting in the city. His father, Percy Edgar was a Birmingham concert manager who was asked to start up broadcasting in Birmingham in 1922, by the chief engineer of the G.E.C. works in Witton, which was part of the British Broadcasting Company. He supplied artists, and produced programmes. Barrie’s reaction as a young child to a story called ‘Spick and Span’ was apparently the inspiration for establishing the first ‘Children’s Hour’ broadcast, which was years ahead of the BBC in London, and produced by Percy. Barrie made his first broadcast at the age of 14, playing Tom Brown in a radio adaptation of Tom Brown’s School Days.

Barrie started working in television in 1946, when he was demobilised after the war, and in 1951 he came back to Birmingham as a television outside broadcast producer.  The O.B. unit was shared with BBC Manchester. The first programme he produced was an amateur boxing contest at Gosta Green, the same building which became the BBC Gosta Green Television Studio in 1955. Barrie was based at the new Broadcasting House, in Carpenter Road in Edgbaston, which was where most programmes were made until the move to Pebble Mill in 1971.  Barrie produced programmes such as ‘Gardening Club’, which became ‘Gardeners’ World’, ‘Farming’ and ‘Come Dancing’. He also produced the ‘Kings College Christmas Carols’, ‘Songs of Praise’, as well as events like General Elections, and the consecration of Coventry Cathedral.

Barrie retired from television in 1979. Barrie’s son is the playwright, David Edgar.

The following comments were added on the Pebble Mill Facebook Group:

Keith Brook: ‘Dear Barrie. Lovely man. Cool, calm and collected. That’s how directors and producers handle themselves when they understand the business. ‘

Gordon Astley: ‘Barrie was a mate of my dad, Pat Astley…and got me an interview for the Beeb via the back door. He looked after me for the first few months of a career that lasted 40 years. Lovely man.’

Pete Simpkin: ‘Wonderful broadcasting practitioner the like of which has gone for ever. I really enjoyed interviewing such a terrifically talented man on Radio Birmingham/WM and also remember him taking charge of the garden at Pebble Mill….how many retired producers of standing would do that?’

Lynda Kettle: ‘An extremely wonderful gentleman!’

Good Morning in Berlin

Copyright Sue Robinson, no reproduction without permission.

‘Good Morning with Anne and Nick’ did a live outside broadcast from Berlin, to celebrate the fifth anniversary of the fall of the Berlin Wall in Nov 1994.  The show was transmitted from the Radisson Hotel in Berlin.  The presenters included Anne Diamond, Nick Owen, Will Hanrahan, Tania Bryer, and Jeni Barnett.

The photos include: Sue Robinson, Sangeeta Modha, Katie Wright, Will Hanrahan, Nick Owen, Nick Thorogood, Marco, Steve Pierson.

The furniture for the broadcast was delivered to the hotel – but it was flat-packed, which meant that the first job was to literally build the set!

 

The following comments were left on the Pebble Mill Facebook Group:

Conal O’Donnell: ‘The Doolan programme did a show out of the former GDR studios in Liepzig a year after the wall came down .Strangely we still had a sort of old style communist minder with us who got terribly drunk over dinner & talked endlessly about the ghastliness of the fallen regime. Ashen faced & hung over the next morning he approached in tears begging us not to repeat anything he’d said the night before “it could ruin my career”(!)It was apparent that the old cultural cringe at saying anything remotely controversial was very much still there.Impressed too at our free wheeling ” anything goes” broadcasting style were the former GDR broadcasters who watched the show go out in some awe.A pleasant reminder of a time when the BBC was regarded as a free speech beacon to the world not a Saville style cess pit..’

Katie Wright (now Cooper): ‘God…memories! Yes it was the 5th Anniversary. The furniture arriving ‘flat’ was unbelievable but in the way of Pebble Mill folk, everyone just got on with building the stuff. I’m amazed it lasted the two hours…there were a lot of bits left over?! It was a great show with some very moving memories from Andrew Sachs. Then we all had to pile onto a rather ancient chartered aircraft to get back in time for the next day’s show……’

Children in Need – Tony & Julie Medal!

 

 

 

 

 

 

 

 

 

 

 

Photo from Tony Wadsworth, no reproduction without permission.

This special medal was struck in 2002, as a ‘Children in Need’ souvenir. It features husband and wife, Radio WM presenting team, Tony Wadsworth and Julie Mayer.

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Three Degrees on Radio Birmingham/WM – Pete Simpkin

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holders, no reproduction without permission.

A memory of meeting the Three Degrees for Radio Birmingham/WM at Bingley Hall Broad Street in the 80s just before the building burned to the ground….it wasn’t us!!

Pete Simpkin

Radio WM Self-Opt News Studio – Pete Simpkin

Rear of Pebble Mill, showing the 2nd floor bar balcony
Photo by Tim Savage

 

 

 

 

 

 

 

 

 

 

 

The recent entries about the old second floor Club at Pebble Mill reminded me that when Radio WM took over the bar area for it’s new Newsroom a self operate news studio was incorporated, a first for us.  Advantage was taken of the, then, new technology which enabled news inserts to be played in by the newsreaders themselves from audio cartridges.  These were prepared by the bulletins editor and handed with the scripts to whoever was presenting.  The increased speed of production and the consequent later deadlines for inserts meant that inevitably there would be a disaster and it was my luck to be the duty reader to delight the listening thousands with it!

Having read the headlines I introduced the first recorded item and fired off the cart only to discover it had been mislabeled and so bore no relationship to the intro. script. After apologizing I went into the next introduction only to find the second cart too had been mislabeled. Having to do something I tried the third one which turned out to be the first story but set halfway through. At this stage I shut the microphone off and intercommed the editor to come in and collect this wrecked pile of scripts and carts and very kindy sort them out……or words to that effect.

He never returned.  To keep the bulletin running I embarked on a reading of the other stories which were in the form of an endless teleprint of national stories subbed in London and sent out by teleprinter, ready to be read at sight. With an ever widening eye of disbelief I saw ahead a row of letters ZCZCZCZC approaching which in teleprint means ‘end of message’, unfortunately this was halfway through a story. Luckily I had read this one in an earlier bulletin so was able to conclude it from memory.

Having only done 5 minutes of a 12 minute bulletin I was left with no alternative but to hand over to the next programme of which the presenter was already in the studio and able to rescue yours truly. Still nothing like that could happen today in this wonder-tech age. Could it.

Pete Simpkin

The following comments were left on the Pebble Mill Facebook Group:

Andy Walters: ‘We were still on carts in 2001. Cart recorders don’t have erase heads. Some readers had a habit of erasing them in a Weircliffe eraser used for tapes and then stacked the erased carts on top of the machine. This would give a lovely swooshing effect to subsequent recordings. Then there was the cardinal sin of erasing carts with the hand that your watch was on.’