Ray Lee – What Was Pebble Mill?

Angela Rippon presenting Top Gear

Copyright resides with the original holder, no reproduction without permission

Here is a screen grab of Angela Rippon presenting the first ever episode of the motoring magazine show, Top Gear, stood outside BBC Pebble Mill, from 1977. An excerpt of this episode is included in the following BBC show, Back in Time for the Weekend, episode 3, The 70s: http://www.bbc.co.uk/iplayer/episode/b071c07m/back-in-time-for-the-weekend-3-the-70s

Here is the Radio Times entry for an early episode of Top Gear, from July 1978, courtesy of the BBC Genome project: http://genome.ch.bbc.co.uk/53d7caaca2db42e9af4b102cb6bb061b. You’ll see from the text that the programme was much more consumer and safety conscious than the current iteration of Top Gear:

“Top Gear with Angela Rippon and Barrie Gill
Rippon on the Road
The big holiday rush begins this weekend and many drivers plan to travel through Friday night. How dangerous is this practice? What are the stress factors and what are the signs of fatigue? Angela finds out for herself by night driving to the West Country. Twenty people are killed and over 200 seriously injured each week yet these figures could be cut to one tenth if we used our seat belts. Should we leave it to persuasion or is compulsion the final answer?
Director PHIL FRANKLlN Producer DEREK SMITH BBC Birmingham

Milton Hainsworth, Graham Winter and Mike Brown in TK

Photo by Jim Gregory, no reproduction without permission.

The photo includes: Milton Hainsworth, Graham Winter and Mike Brown. It was taken by Jim Gregory in June 1973.
“Milton Hainsworth was a News film editor, Graham was TK supervisor, although technically the post had been re-titled Senior Recording Engineer. Mike was the original film projectionist for Film Unit and the Dubbing Suite, he defected to Central and is now a Video Editor at BBC Nottingham.
In the background is a Westrex Sepmag machine. The photograph was taken by Jim from the Telecine Quality Check Room, which only lasted for a few more years as fairly big alterations were made to that end of the Telecine VT area later.”

Jim Gregory

The following comments were left on the Pebble Mill Facebook page:

Ray Lee: ‘I remember all 3 as I joined Telecine in 1974, Graham soon moved to Wood Norton, but Milton was still around when News editing had gone to Betacam tapes. Don’t remember where Mike moved to, but our paths didn’t cross often.’

Christopher Hall: ‘I remember Graham Winter from Wood Norton. Sadly he died a couple of years ago.’

Peter Woolley: ‘I remember Milton! I think he refused to go to his own leaving party!’

Lynn Cullimore: ‘Well I certainly remember Milton. Yes, I think he did not go to his leaving party bless him.’

Mike Dhonau: ‘I spent 7 weeks with Graham running training in Oman – in 1993. Great times. He was a little plumper then…’

Max Mulgrew: ‘Peter Woolley is correct. Milton was not at his leaving do, on floor two at Pebble Mill, and later refused to accept his leaving present. I think Sue Beardsmore was among those at the gathering.’

Peter Greenhalgh: ‘Mike Brown is still around. Just showed him the pic as he’s not on FB. He does all the tech op jobs here, and was a freelance camera op before joining us.’

Early editing of drama on videotape

Early drama editing on videotape from pebblemill on Vimeo.

The video above was recorded by Colin Fearnley on 23rd November 2004, which was the last night of editing at Pebble Mill before the building closed. In this video, Steve Critchlow talks about the early editing of drama on videotape. Thanks to Colin for having the foresight to record the editors reminiscing amongst the emptying of champagne flutes.

The following comments were left on the Pebble Mill Facebook page:

Keith Brook (Scouse): ‘It’s Steve Critchlow. He saved my glittering career a few times. He moved into management in the early 80s and was my boss after I went back to cameras.’

Ray Lee: ‘Sadly now deceased. He and John Lannin pretty much were VT at Pebble Mill in the early 70’s. John amazingly is still alive and I was at a lunch gathering with him yesterday, reminiscing about old times.’

Herbie Donnelly: ‘A gent of the first order and a pleasure to deal with.’

Martin Suker on Tom O’Connor Roadshow

Photo by Jane Mclean, no reproduction without permission.

This photo is of Martin Suker, in the outside broadcast truck, for an edition of the Tom O’Connor Roadshow, which was a live entertainment show from around the UK.

The following comment was added on the Pebble Mill Facebook page:

Jonathan Dick: ‘He [Martin Suker] was a vision-mixer I believe, based in Bristol, back in the days when they did network productions from their Studio A and OB unit. I think he went on to direct as well.’

Ray Lee: ‘The Tom O’Connor Road show was extravagant it used both CM1 Type 5 Scanner, and SCV6 Sound vehicle. I have a few photo’s from the Port Talbot venue, when I went out as a support engineer to SCV6.’

Ned Abell: [The OB truck was] CM1. The window is between the “gallery” and the sound/comms end.’

Nicky Savage, Jane Mclean, Tom O’Connor, Jo Dewar

CM2 and CMCR40 at Chester Races

Photos by Robin Stonestreet, no reproduction without permission.

The photo shows Pebble Mill’s small-ish outside broadcast truck, CM2, with the larger CMCR40 truck at Chester Races in 1985.

The OB trucks were scheduled all over the country, depending on where they were needed, they covered football matches, cricket, as well as working on factual shows like Gardeners’ World.

The following comment was left on the Pebble Mill Facebook page:

Dave Bushell: ‘Pretty sure we had CM2 out on Vanity Fair in 1987 and other dramas.’

Ray Lee: ‘The cameras were Philips LDK14’s with the Triax adaptor LDK514. From memory there were 3 cameras, but whether there was a spare as well I can’t now remember. The cameras had a short multicore cable (10metres or so) between the triax adaptor box and the camera, then the base station in the vehicle was a modified LDK5 base station which powered the camera and adaptor box down standard triax. (at that time CM1 was a type 5 with Philips LDK5 cameras which also used triax but all the way to the camera) The front area had 2 VPR2 1″ videotape machines. CM2 was thus a complete production and recording vehicle, which meant for programmes like Gardeners World, the could leave site with a complete edited programme, apart perhaps from some captions.’

Bryan Comley: ‘Gardeners World has a very simply caption generator, so we did leave site with a TX tape, and this was 30+ years ago!’