Tom O’Connor Roadshow – Port Talbot

Photos by Raymond Lee, no reproduction without permission

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The top photo is of SCV6 (possibly with Roger Guest operating), on the OB for the Tom O’Connor Roadshow in Port Talbot in March 1987. CM1 was also needed on the OB, because of the sound requirements. The lunchtime entertainment show toured the country with an OB unit, broadcasting a week’s worth of shows from each location. Unfortunately, although popular, it proved too expensive in the long term.

The lower photo includes soundman Tim Green on the left, and Mark Botfield with the blond hair, Kenton Allen in the demin jacket.

These photos were originally shared on the Pebble Mill Engineers’ Facebook group.

The following comments were made on the Pebble Mill Facebook page:

Raymond Lee: ‘SCV6 was an articulated trailer, of a similar length to to the Type 5 CM1. It had an SSL Desk, some specially shaped LS5/8s and a 24 track Otari Multitrack tape machine. It also had 2 or 3 1/4″ tape machines, a cart machine, and record deck. It was quite tight for space which is why the jackfields used Bantam Jacks, unfortunately, they proved fairly unreliable in O.B. conditions.’

34 years since Torvill and Dean’s Gold Medal

Copyright resides with the original holder, no reproduction without permission

With the opening of the 2018 Winter Olympics today, it is 34 years since the Pebble Mill crew brought Torvill and Dean’s Gold Medal winning performance of Bolero to millions of viewers. The action was caught on Eric Wise’s single camera, when the Yugoslav pictures proved disappointing. Besides Eric, the team included Roger Guest on sound; Bill Youel, vision recording; and John Allinson, Engineering Manager.

The article above is from the internal BBC newsletter, Midlands News from March 1984. It gives the audience for the broadcast as 17.5 million, whilst the BBC today was listing it as 24 million.

The following comments were left on the Pebble Mill Facebook page:

Marie Phillips: ‘I remember this. I had tickets for their Show that night and was able to get them signed. I asked if they would be performing Bolero and Christopher Dean said “You will have to wait and see !” and of course, they did – wonderful.’

James Lund: ‘”Bad luck had led to disappointing coverage from the Yugoslav’s six rink-side cameras” – seems a strange way to describe things. Is it put diplomatically? Does anyone have further details? I assume the Pebble Mill camera was only for UK viewers, and not fed back to host broadcaster, JRT.’

The Franchise Affair

The Franchise Affair RG

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

Thanks to Roger Guest for sharing this script front page, from the 1988, six part drama series: The Franchise Affair, by Josephine Tey. The series went out between September-Nov 1988, on BBC1.

Here is the link to the entry in the Radio Times, for episode one of The Franchise Affair, from the BBC Genome project: http://genome.ch.bbc.co.uk/bcbdbb487b894908a9120d1acd02b909

The following comments were left on the Pebble Mill Facebook page:

Dave Bushell: ‘I enjoyed working on this – a touch of film noire style and location shoots in Church Stretton and on
the Severn Valley Railway.’

Winnie O’Brien: ‘I remember it well, I did the opening title sequence and graphics. It was a wonderful project to work on.’

 

Basil Brush Front Page

Basil Brush front page

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holders, no reproduction without permission.

This is the rehearsal script front page for The Basil Brush Show from 1975.

The rehearsals took place in a church hall in west London, whilst the recording would have taken place in Studio A at Pebble Mill. Basil Brush was a London production, hosted at Pebble Mill.

Thanks to sound supervisor, Roger Guest, for sharing the front page, and keeping it safe since 1975.

The following comments were left on the Pebble Mill Facebook page:

David Crozier: ‘I was that designer. Was it really forty years ago? Good grief.’

Peter Trevena: ‘I worked on this,great fun’

Susan Astle: ‘Really enjoyed working on this. Used to have breakfast on the train with design on the way to rehearsals in London. Charlie Bond on Bloody Mary’s and lovely Ian Fisher and Nigel Jones. ‘

Philip Morgan: ‘Through the kindness of Roger Nash I got a radio interview with “Basil”. I also sat in at one of the Saturday afternoon dress rehearsals in Studio A. As part of the banter the sidekick (Mr Derek?) asked Basil if he had any friends. “Of course I’ve got friends” replied Basil “I’ve got friends I haven’t even used yet!” That certainly drew a hearty laugh from the crew…’

Pop at the Mill

Pop at the Mill RG

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

Draft script front page from Pop at the Mill August 1976. The show was a pop festival from the back lawn of Pebble Mill.

Thanks to sound supervisor, Roger Guest, for sharing the script, and for keeping it safe all these years.

The following comments were left on the Pebble Mill Facebook page:

Keith Brook (Scouse): ‘That’s interesting. I thought I vision mixed that series. Was this before or after my sojourn into button pushing?’

Susan Astle: ‘Wish I could remember….as I worked on it!’

Lynn Cullimore: ‘I remember it very well – dancing in the courtyard and the guest were Joe Brown and dare I say Gary Glitter. Many years ago and I thought it was great. Wish I had worked on it.’