Siouxsie and the Banshees – Look! Hear!


Photos by Christopher Glover, no reproduction without permission.

Siouxsie and the Banshees being recorded in Studio A for Look! Hear! Produced by Roger Casstles. Look! Hear! was a regional music and culture show. The photos date from the mid-1980s.

The following comments were added on the Pebble Mill Facebook page:

Phil Dolling: This brings back memories I was a very junior sound assistant on the floor, I recall the drummer ‘Budgie’ had his fold-back set to terrifying levels with all the high frequencies wound up. It was like razor blades coming out of the speakers. A brilliant series, it caught a great moment in Midland’s music.

Annette Martin: I mixed it she was v good. Just spotted the lovely Ron Sowton Floor Manager in 2nd pic.

Richard Stevenson: It is pre-1987 when I joined as the new cameras were in by then. Probably the Heron crane – one man to drive it and the camera op had a pedal for up and down plus a second pedal to rotate the seat. If you got them mixed up it got very messy!

Saturday Night at the Mill – running order

Saturday Night at the Mill RG

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright resides with the original holder, no reproduction without permission.

This is the running order for a dummy run recording of Saturday Night at the Mill in December 1976.

Saturday Night at the Mill was an entertainment show which used the Pebble Mill Foyer studio and the courtyard area, for performances. The show was presented by Donny MacLeod and Bob Langley, amongst others, and Kenny Ball and his Jazzman were the resident band.

For live studio shows there were often dummy recordings to make sure that the crew were all up to speed, and that technically the show was going to work.

Thanks to Roger Guest for sharing this running order.

The following comments were left on the Pebble Mill Facebook page:

Jane Mclean: ‘Roy Norton was the director, Roy Ronnie the producer, Margaret Walne was PA and I was on autocue. The Kenny Ball band was the house band on all the programmes. The hospitality back at the Strathallen was legendary…!’

Annie Gumbley Williams: ‘I did autocue too. Roy Norton used to shout down the head phones! Liz Silver was PA then and she trained me as PA on Sat Night at the Mill. Roy Norton producer and Keith Ackrill was Researcher or Assistant Producer? Patricia Mifflin too. Great fun.’

Susan Astle: ‘Goodness ..those were the days. Trying to get artists back for makeup checks when they would rather be in hospitality. I think we had our own, obvs! Susie Bankers’

Keith Brook (Scouse): I think I vision mixed that show. I know I did the series. After we complained that there was no hospitality food left, Roy Norton used to shoot down to the Strathallan after the show to stop the office people from scoffing the lot. They didn’t work on the show which allowed them to get there early and hoover it all up!! The gallery talkback was distributed around Telly Centre to entertain the bored troops in London.

Michael Fisher: ‘Kenny Ball was a frequent guest on the show. Am I right in thinking that the recently deceased Alvin Stardust appeared in some Pebble Mill Saturday evening shows and a special stage with a catwalk-like extension so he could strut up & down!’ http://genome.ch.bbc.co.uk/36299c085523447eaa4bf3fac59b4563

Raymond Lee: ‘I remember working on many of these shows. The pilot programme actually went by the title “Pebble Mill at Night”. Kenny Ball was actually the “resident” musician for the show.’

Eurwyn Jones: ‘I remember working on the series with Ron Sowton. Ginger Rogers was the guest on a show, she arrived in a massive car live in front of the foyer.’

Tim Dann: ‘I remember it as though it were yesterday!!…fantastic fun!…then all back to the ‘Strathallan Hotel’ for hospitality. I was the Designer for the first series. Those were the ‘daze!!”

Keith Ackrill: ‘Patricia Mifflin and I were the two researchers on “SNATM.” Roy Ronnie was the Executive Producer and Roy Norton the Director. We had a great crew working with us, which made the programmes so enjoyable to work on.’