Rosalind Gower – What Was Pebble Mill?

Asian Programme Unit Producers

The Asian Programme Unit producers: Yousaf Aziz, Waseem Mahmood, Krishan Gould and Bish Mehay. Seated is Ashok Rampal, the executive producer.

Thanks to Waseem Mahmood for sharing the photo.

The following comments were left on the Pebble Mill Facebook page:

Waseem Mahmood: ‘This must have been about 1984. We all worked on the BBC 1 Asian Magazine programme that went out on Sunday morning, Gharbar that went out on BBC 2 on Wednesday mornings and the Radio 4 programme Make Yourself at Home which also went out on Sunday.’

Lynne Cullimore: ‘I worked there for a while. Worked on many interesting stories and of course the music. I was there when Nahrendra was in charge!’

Dawn Trotman: ‘I worked on the programme. I even sunk up Bish’s feature film in his garage ! Many stories abound about the shooting of the film in Birmingham ! I later worked on Network East some of the old team remained but a new boss.’

Rosalind Gower: ‘So great to see this lovely bunch again. Thanks’

Jane Ward: ‘Wow! Agree with Rosalind Gower – how lovely to see them all in this pic. I worked with them on Gharbar and Asian Magazine – 1986-87. The Midlands Today set would come out of Studio B for filming Asian Magazine and then be put back in again just in time for afternoon news. I used to love the bands that sat on the floor and played great music.’

Mary Sanchez: ‘I worked as part of my secretarial training on Asian Network and Ebony then onto news where indeed we doubled up with Asian Network and News in same studio.’

Countryfile – John Craven in the bath

Still of presenter John Craven in the bath, during a Countryfile item.

Does anybody know what the item was? Please add a comment if you can add any information.

Thanks to Ian Collins for making the still available.

The following comments were left on the Pebble Mill Facebook Page:

Andrea Buffery: ‘I think it was a compilation programme directed by Joanna Brame. JC is wearing my snorkel mask.’

Andrew Chorlton: ‘I’m sure that was me on sound. Probably Foster, B or Evans, D on camera. A long time ago!’

Garry Jordan: ‘COUNTRY FILE, Transmission date: 14 May 1989, Clip #: BBC_253004’

Betti Moretti: ‘Can’t help with the story sorry… but when I worked on The Countryside Hour, the most mortifying thing would occur every Thursday… when I was little, Mum would hoover when Newsround came on – white noise? And I’d immediately drop off on the sofa… every Thursday, John would rehearse his script for Countryfile in my room… and you would not believe the struggle I had to keep my eyes open! Thank god for the Club & Mick Murphy! Happy days!

Rosalind Gower: ‘I directed one on lavender growing for essential oils in Norfolk which ended with John in a bath, but I don’t recognise the bathroom or the duck and snorkel! On my shoot we did this as a last minute idea and asked one of the farm workers if we could borrow their cottage bathroom for a short time. When she saw it was for the famous John Craven she readily agreed. To save John’s modesty we asked if she had any bubble bath…no…so we used washing up liquid instead but had to use loads of it to make any sort of decent bubbles. By then the hot water had run out so poor JC has to do his PTC in gloopy lukewarm water, trying not to shiver and pretending he was having a luxuriously scented relaxing bath. What a trooper! When we’d finished the woman asked for John’s autograph as she thought otherwise none of her friends would believe she’d had John Craven in her bath that afternoon!’

Timesheet – Reaching for the Skies

Charles White’s timesheet

This timesheet is from Charles White, who was involved in the post-production of the documentary series: Reaching for the Skies, a history of flight. The twelve part series was transmitted in Sept-Nov 1988. It was a co-production with John Gau Productions, the series producer was Ivan Rendall, with different episodes being produced and directed by different people, including Tony Salmon and Dennis Adams. The editors included Greg Miller and Mike Duxbury.

The timesheet shows an over 80 hour week for Charles, meaning that he would have accrued an awful lot of overtime payments, or time off in lieu!

The following comments were left on the Pebble Mill Facebook Page:

Jane Green: ‘I have my Clothes Show and Howards’ Way timesheets. 20 hours days filming – no joke!’

Ruth Barretto: ‘I can remember the days when I used to process all of productions timesheets and Expenses. 4 consecutive days in excess of 12 hours and on the 5th day 4 hours then you earn a day off in lieu…. Oh so sad that i still remember that!!!’

Lynn Cullimore: ‘I can imagine the hours as it was a big production. I worked on it for a few days filming at RAF Coningsby on tornadoes. It was fantastic.’

Victoria Trow: ‘Long hours? Over 100 one week on the dreaded Witchcraft. But nobody ever minded over time – time and a half + less than 10hr break….. Those were the days. My first job at Pebble Mill – in a portakabin with Fiona Haigh syncing up the rushes.’

Mark Heslop: ‘108 hrs on same series, unfortunately no proof, but everybody worked stupid hours on that programme.’

Rosalind Gower: ‘I’m still rather horrified he was scheduled a 60 hour week! I know we all worked crazy hours when we had to but it does seem very wrong that he was officially down to work for five consecutive days of 12 hours per day, big production or not.’

Studio B Gallery

Photo by John Doidge, no reproduction without permission.

I think that this photo is of the production gallery of Studio B circa late 1980s.

Studio B was the where Midlands Today was produced, but it was also used by many other programmes, e.g. Network East. The gallery was set up to take up to four studio cameras, and up to six outside sources.

The following comments were left on the Pebble Mill Facebook Page:

Jane Green: ‘I vision mixed that desk, did some ‘sound duties’ too, and directed Midlands Today from there. OMG – it looks ancient now. I do remember though – the Technical Manager who sat to the left of the picture, who always had the last say on whether an item could be broadcast or not due to its technical quality – and I had stories dropped because the pictures were not 100% ok. How times have changed!’

Richard Murrell: ‘Yes Jane, I have been imagining how some of the old TM’s would have reacted to Skype video or mobile telephone interviews!’

Peter Poole, added the following photo of Studio B in the 1990s – notice the advent of computers, and updated phones!

Photo by Peter Poole, no reproduction without permission

Rosalind Gower: ‘I remember this gallery pre computers. Directing Midlands Today was a but of a hairy experience as we had to do our own vision mixing as well!’

Lynn Cullimore: ‘I remember being in there , especially doing Midlands Today and lots of regional TV as the production assistant. Memories.’

Stuart Gandy: ‘This is after the 1985 major refurb, but before Basis arrived, I think around 1990. This was also before the era of computer control. The control panels above the vision mixer controlled the sources on the Probel Matrix which fed the monitors, viewfinders etc, Later on in the early 90s computers took over this function, and one of the first instances of this was the control system built by John Macavoy, for the graphics sources, using Windows 3.11. What a shame we can’t quite read the screen of the presfax monitor bottom left, this would show the exact date.’

Children in Need – Simon Bates

Simon Bates, Cathy Houghton, Mick Murphy

Children in Need photos dating from the late 1980s/early 1990s, with Midlands Today’s Cathy Houghton briefing presenter Simon Bates on the evening’s proceedings, in Studio C – the Foyer. Mick Murphy tickling the ivories!

The following comments were left on the Pebble Mill Facebook Page:

Siobhan Maher Kennedy: Mick Murphy I remember him! I got my CBBC job from being a presenter for the Children in Need from Pebble Mill in 1986.

Rosalind Gower: Yes it was 1990, one of the years I produced it with Simon Bates and Toyah Willcox presenting. That year all the production team, crews etc all wore fancy dress and I remember Mick getting that snazzy outfit from wardrobe.