Simon Tooley – What Was Pebble Mill?

Heron Crane – Bhasker Solanki

Photo from Bhasker Solanki. Copyright resides with the original holder, no reproduction without permission

The following comments were left on the Pebble Mill Facebook page:

Robert Meikle: Its a Heron. Great fun to drive in a studio with little in the way of a set. I tracked one for a series of dance shows, basically The Black and White Minstrels, but not with the black make up. Very fast crabs all over the floor, with Ron Greene being very cool on the front. Also good for very, very slow creep in, before zooms were commonplace. Example, also with Ron, Pete and Dud in ‘Not Only but Also’. Happy memories of obsolete ways of working. For the anoraks, powered by hydraulic motors, compressor powered by 3 phase AC, could go for a distance with electrical power off, in silence.

Ian Keown: It was a very scary machine to drive, as it could crab (all 4 corner wheels moving), or steer, with just the two rear wheels moving. It went forward and reverse, and in crab mode if you went all the way round with the wheels, they became reversed, as quite a few studio walls and sets could testify! On the front, the left foot pedal was for craning up and down, and the right pedal moved the seat left and right, but if you had your whole foot on the pedal, and pushed your toe down, the seat moved to the left!It was a monster whichever end you sat on!!

Mark Smithers: Once did a play called ‘The Fallout Guy’ with Dave Bushell as the LD. There was a longish scene with a drive through the desert, so to show movement we mounted a 5k lamp where the camera usually is and I sat on the front to point the lamp with the camera supervisor Paul Woolston driving.

Laura McNeil: That was the only drama I did from start to finish, sound from pre to post-production. I loved working on it. Then I didn’t get a credit on it but the runners did. I almost cried it was awful as I found out when the end credits rolled in the edit suite.

Richard Stevenson: Looks like it’s still in the camera store. All the cable coiled up on the back. As far as I know it never went up to [Studio] B – no height in that studio anyway.

Simon Tooley: It used to come out of the store for ‘Crimewatch Midlands’. There was one mark on the floor, and I used to sit on the back of it in the same place for the whole show! If I remember rightly.

Alan Hussey: Very versatile dolly in the hands of an expert tracker – you could slip it from track to crab on the move. On the front both feet and both hands had individual jobs.

Bros at Pebble Mill

Here are some excerpts from an article published in the Birmingham Mail on 26th Jan 2019, following the screening of the BBC documentary about the band Bros, When the Screaming Stops:

“Teenage twins Luke and Matt Goss were less than a month short of turning 20 years old when they arrived at BBC Pebble Mill by helicopter.

They were adorned with their trademark slicked back hair, fake tans, selfie-style poses and some very 80s’ clothing – the perfect pop package.

Their mission? To switch on Radio 1’s new FM signal in the Midlands in front of hundreds of screaming fans…….

Luke and Matt Goss were joined by fellow band member Craig Logan when they arrived at BBC Pebble Mill on Thursday, September 1, 1988….

Hundreds of young, screaming girls besieged Pebble Mill were the group was paying a flying visit by helicopter to officially inaugurate the new service.

Behind the scenes, twins Matt and Luke Goss said they had performed the switch on simply because they had been invited.”

The whole article can be read here:

https://www.birminghammail.co.uk/news/nostalgia/bros-came-birmingham-fabulous-pictures-15692764

The following comments were left on the Pebble Mill Facebook page:

Laura McNeill: ‘Brilliant picture, I remember their visit and being in the foyer to do something with them but then my memory fails me.’

Gordon Astley: I had just interviewed them upstairs at WM.’

Keith Butler: I remember it well, we also had Kylie Minogue at the Mill within a few weeks of this. Virtually no one was outside for her……… who’s the bigger star now, lol.’

Jean Palmer: ‘I remember that day very well. I was having an interview for a prop buyer when all you could hear where screaming girls and them going over and over their song. I didn’t get that job it was a fix.’

Simon Tooley: ‘I remember that day… doing a hand held camera at the railings to film the screaming fans. Unfortunately, only about 3 fans showed up, which I had to make look like a crowd!’

Gary Hudson: ‘There is a sequence in the documentary which I think shows this visit. Either that or the Pebble Mill backdrop is a CGI alternative to the pyros (for those who’ve seen the doco).’

More Vote for Them photos in Tenbury Wells

Photos by Roy Thompson, no reproduction without permission.

These photos from the 1989 three part drama: Vote For Them, by David Edgar and Neil Grant, were taken in Tenbury Wells, Worcestershire. The Regal Cinema stood in for an Egyptian cinema.

Simon Tooley is seen on camera in the second photo, wearing the striped top, with Bob Few holding the tripod, and soundman Andy Redfern in the brown top, to the left, with his mixer on the seat.

Thanks to Keith Brook (Scouse), Peter Knowles and Richard Stevenson for identifying people.

The following comments were left on the Pebble Mill Facebook Page:

Mike Eastman: ‘Played a soldier on this show, but recorded my section at Pebble Mill Studio.’

Janice Rider: ‘Never seen these photos. Thank you Roy for sharing these. There were SO many extras on this show all in uniform!!! You can just see Paul Higton dealing with them in the second photo at the back on the left.’

Vote for Them – Regal Cinema, Tenbury Wells

Photos by Roy Thompson, no reproduction without permission.

These photos are from the 1989 three part serial: Vote for Them. They were taken at the Regal Cinema in Tenbury Wells, which stood in for an Egyptian cinema. Roy Thompson took these location photos whilst on attachment at Pebble Mill, from Wood Norton. A 5am make up call at Pebble Mill was necessary!

The cameraman in the top photo is Dave Doogood, with Simon Tooley in the striped top.